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Full Description
In light of their tremendous gains in the political and professional sphere, and their ever expanding options, why is it that most contemporary American films aimed at women still focus almost exclusively on their pursuit of a heterosexual romantic relationship? American Postfeminist Cinema explores this question and is the first book to examine the symbiotic relationship between heterosexual romance and postfeminist culture. The book argues that since 1980, postfeminism's most salient tensions and anxieties have been reflected and negotiated in the American romance film. Case studies of a broad range of Hollywood and independent films reveal how the postfeminist romance cycle is intertwined with contemporary women's ambivalence and broader cultural anxieties about women's changing social and political status.
Contents
Acknowledgements; List of Illustrations; Introduction: Women, Postfeminism and Romance; 1. Both Glad and Sorry: Romance Cycles and Women's Politics; 2. Pragmatism vs. Sentimentality: Amelioration in the Postfeminist Cycle; 3. Past vs. Present: Temporality in the Postfeminist Cycle; 4. Sexy vs. Funny: Sexuality in the Postfeminist Cycle; 5. Independence vs. Dependence: Economics in the Postfeminist Cycle; Conclusion: Beginnings vs. Endings: The Future of the Postfeminist Cycle; Selected Bibliography
