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Full Description
F. LeRon Shults explores Deleuze's fascination with theological themes and shows how his entire corpus can be understood as a creative atheist machine that liberates thinking, acting and feeling. Shults also demonstrates how the flow of a productive atheism can be increased by bringing Deleuzian concepts into dialogue with insights derived from the bio-cultural sciences of religion.
Contents
1. Hammering Theology; The Science of Non-Existing Entities; Anti-Oedipus, Anti-Christ; Anthropomorphic Promiscuity and Sociographic Prudery; Sacerdotal and Iconoclastic Trajectories; The Secrets of Theism; 2. Breaking Theological Icons; The Inversion of Platonism; Christ as the Image of God; Anthropomorphic Prudery and Sociographic Promiscuity; Kant and the Genitality of Experience; Spinoza and the Vertigo of Immanence; Nietzsche and the Rising of the Simulacra; Overturning Religious Figures; 3. Loosening Theological Chains; The Dogmatic Image of Thought; Christ as the Logos of God; The First Shackle: Analogy of Judgment; The Second Shackle: Identity in the Concept; The Third Shackle: Opposition of Predicates; The Fourth Shackle: Resemblance in Perception; The Liberation of Thinking; 4. Releasing Theological Events; Paradox and Becoming; Christ as the Incarnation of God; The Aleatory Point; The Line of the Aion; The Metaphysical Surface; Sexuality and Pious Intentions; The Liberation of Acting; 5. Assembling Theological Machines; Desiring-Machines; Christ as the Judgment of God; Theology and the Territorial Machine; Theology and the Despotic Machine; Theology and the Capitalist Machine; Theology and the War Machine; The Liberation of Feeling; 6. Secreting Atheism; The Production of Atheism; The Gospel According to Deleuze; The Forces of Theology; Bibliography.