Full Description
Before Modernism, narrative painting was one of the most acclaimed and challenging modes of picture-making in Western art, yet by the early twentieth century storytelling had all but disappeared from ambitious art. France was a key player in both the dramatic rise and the controversial demise of narrative art. This is the first book to analyse French painting in relation to narrative, from Poussin in the early seventeenth to Gauguin in the late nineteenth century. Thirteen original essays shed light on key moments and aspects of narrative and French painting through the study of artists such as Nicolas Poussin, Charles Le Brun, Jacques-Louis David, Paul Delaroche, Gustave Moreau, and Paul Gauguin. Using a range of theoretical perspectives, the authors study key issues such as temporality, theatricality, word-and-image relations, the narrative function of inanimate objects, the role played by viewers, and the ways in which visual narrative has been bound up with history painting. The book offers a fresh look at familiar material, as well as studying some little-known works of art, and reveals the centrality and complexity of narrative in French painting over the course of three centuries.
Contents
Contents
List of Figures vii
Notes on Contributors xii
Acknowledgements xv
Introduction: Narrativity and (French) Painting
Peter Cooke and Nina Lübbren
Section I
Ancien Régime
1 Units of Vision and Narrative Structures: Upon Reading Poussin's Manna
Claudine Mitchell
2 Figures of Narration in the Context of a Painted Cycle: The North Bays of the Grande Galerie at Versailles
Marianne Cojannot-Le Blanc
3 The Crisis of Narration in Eighteenth-century French History Painting
Susanna Caviglia
4 Obscure, Capricious and Bizarre: Neoclassical Painting and the Choice of Subject
Mark Ledbury
SECTION II
Restoration and July Monarchy
5 Delacroix and 'The Work of the Reader'
Beth S. Wright
6 Narrative and History in Léopold Robert's Arrival of the Harvesters in the Pontine Marshes
Richard Wrigley
7 Narrative Strategies in Paul Delaroche's Assassination of the Duc de Guise
Patricia Smyth
SECTION III
Second Empire and Third Republic
8 Eloquent Objects: Gérôme, Laurens and the Art of Inanimate Narration
Nina Lübbren
9 Tyrannical Inopportunity: Gustave Moreau's Anti-narrative Strategies
Scott C. Allan
10 Theatricality Versus Anti-Theatricality: Narrative Techniques in French History Painting (1850-1900)
Pierre Sérié
11 The Conflicted Status of Narrative in the Art of Paul Gauguin
Belinda Thomson
SECTION IV
Key Issues of Pictorial Narrative
12 Narrativity, Temporality and Allegorisation, from Poussin to Moreau
Peter Cooke
13 Towards a Study of Narration in Painting: The Early Modern Period
Étienne Jollet
Index
