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Full Description
Discusses Malick s films as individual objects, as a corpus, within contemporary film studies, and within a wider cultural discussion.
Contents
Introduction; Stuart Kendall and Thomas Deane Tucker; Voicing Meaning: On Terrence Malick's Characters; Steven Rybin; Terrence Malick's Histories of Violence; John Bleasdale; Ruhrender Achtung: Terrence Malick's Cinematic Neo-Modernity; Thomas Wall; Worlding the West: An Ontopology of Badlands; Thomas Deane Tucker; Fields of Vision: Human Presence in the Plain Landscape of Badlands and Days of Heaven; Matthew Evertson; The Belvedere and the Bunkhouse: space and place in Days of Heaven; Ian Rijsdijk; The Tragic Indiscernibility of Days of Heaven; Stuart Kendall; Darkness from Light: Dialectics and The Thin Red Line; Russell Manning; Song of the Earth: Cinematic Romanticism in Malick's The New World; Robert Sinnerbrink; Whereof One Cannot Speak: Terrence Malick's The New World; Elizabeth Walden; Bibliography; Notes on Contributors; Index.