No Jurisdiction : Legal, Political, and Aesthetic Disorder in Post-9/11 Genre Cinema (Suny series, Horizons of Cinema)

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No Jurisdiction : Legal, Political, and Aesthetic Disorder in Post-9/11 Genre Cinema (Suny series, Horizons of Cinema)

Ben-Youssef, Fareed

ウェブストア価格 ¥20,629（本体¥18,754）
State University of New York Press（2022/07発売）
外貨定価 US$ 99.00
ポイント 187pt

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製本 Hardcover:ハードカバー版／ページ数 252 p.
言語 ENG
商品コード 9781438489278
DDC分類 791.436552

Full Description

A deeply personal study of post-9/11 film that exposes how genre can frame the shifting meanings of the War on Terror and its impact on American law and culture.

No Jurisdiction interweaves autobiography and analysis to explore how a disabled American of French-Arab descent justifies his love for the (super)heroes who destroy brown people like himself. Framing Hollywood genre films as a key to understanding a crisis-filled world shaped by the global War on Terror, Fareed Ben-Youssef shows how, in response to 9/11, filmmakers and lawmakers mobilized iconic characters-the cowboy, the femme fatale, and the superhero-to make sense of our traumas and inspire new legal landscapes. The competing visions of power produced in this dialogue between Hollywood entertainment and mainstream politics underscore genre cinema's multivalent purpose: to normalize state violence and also to critique it.

Chapters devoted to the Western, film noir, superhero movies, and global films that deploy and comment on these genres offer compelling readings of films ranging from the more apparent (The Dark Knight, Sicario, and Logan) to the more unexpected (Sin City, Adieu Gary, The Broken Circle Breakdown, and Tokyo Sonata). Through narratives of states of emergency that include vaguely defined enemies, obscured battlefield boundaries, and blurred lines between victims and perpetrators, a new post-9/11 film canon emerges. No Jurisdiction is a deeply personal work of film scholarship, arguing that we can face our complicity and discover opportunities for resistance through our beloved genre movies.

List of Illustrations
Acknowledgments

Introduction. Hollywood at Ground Zero: Confessions of a Conflicted Fan

1. "It was like a movie!": Theorizing the Eerie Symmetries of a War on Terror

2. On the Frontier between Hate and Empathy: The Post9/11 Border Western

3. Femmes Fatales as Torturers and Lost Detectives in a Fragile City: Post9/11 Noir

4. Soaring Above the Law: The Post9/11 Superhero

5. "9/11 Transformed the Whole Planet, Not Just America!": The War on Terror's Shadow across Global Law and Cinema

Notes
Works Cited
Index