基本説明
Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art.
Full Description
This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times.
Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art.
Provides the basis for the appreciation of art of different cultures and times.
Enhances readers' appreciation of the aesthetics of art and of the important role it plays in human society.
Contents
Acknowledgments viii
About the Editors x
The Anthropology of Art: A Reflection on its History and Contemporary Practice 1
Howard Morphy and Morgan Perkins
Part I Foundations and Framing the Discipline 33
1 Primitive Art 39
Franz Boas
2 Split Representation in the Art of Asia and America 56
Claude Le'vi-Strauss
3 Introduction to Tribes and Forms in African Art 74
William Fagg
4 Style, Grace, and Information in Primitive Art 78
Gregory Bateson
5 Tikopia Art and Society 91
Raymond Firth
6 The Abelam Artist 109
Anthony Forge
Part II Primitivism, Art, and Artifacts 123
7 Modernist Primitivism: An Introduction 129
William Rubin
8 Defective Affinities: ''Primitivism'' in 20th Century Art 147
Arthur C. Danto
9 Histories of the Tribal and the Modern 150
James Clifford
10 A Case in Point and Afterwords to Primitive Art in Civilized Places 167
Sally Price
11 Oriental Antiquities/Far Eastern Art 186
Craig Clunas
12 Introduction to Art/Artifact: African Art in Anthropology Collections 209
Susan Vogel
13 Vogel's Net: Traps as Artworks and Artworks as Traps 219
Alfred Gell
Part III Aesthetics across Cultures 237
14 Yoruba Artistic Criticism 242
Robert Farris Thompson
15 Style in Technology: Some Early Thoughts 270
Heather Lechtman
16 ''Marvels of Everyday Vision'': The Anthropology of Aesthetics and the Cattle-keeping Nilotes 281
Jeremy Coote
17 From Dull to Brilliant: The Aesthetics of Spiritual Power Among the Yolngu 302
Howard Morphy
Part IV Form, Style, and Meaning 321
18 Visual Categories: An Approach to the Study of Representational Systems 326
Nancy D. Munn
19 Structural Patterning in Kwakiutl Art and Ritual 339
Abraham Rosman and Paula G. Rubel
20 Sacred Art and Spiritual Power: An Analysis of Tlingit Shamans' Masks 358
Aldona Jonaitis
21 All Things Made 374
David M. Guss
22 Modernity and the ''Graphicalization'' of Meaning: New Guinea Highland Shield Design in Historical Perspective 387
Michael O'Hanlon
Part V Marketing Culture 407
23 Arts of the Fourth World 412
Nelson H. H. Graburn
24 The Collecting and Display of Souvenir Arts: Authenticity and the ''Strictly Commercial'' 431
Ruth B. Phillips
25 The Art of the Trade: On the Creation of Value and Authenticity in the African Art Market 454
Christopher B. Steiner
Part VI Contemporary Artists 467
26 A Second Reflection: Presence and Opposition in Contemporary Maori Art 472
Nicholas Thomas
27 Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings 495
Fred Myers
28 Aesthetics and Iconography: An Artist's Approach 513
Gordon Bennett
29 Kinds of Knowing 520
Charlotte Townsend-Gault
30 Cew Ete Haw I Tih: The Bird That Carries Language Back to Another 544
Jolene Rickard
Index 549
