ナチス時代ドイツ映画の国際的普及 Cinema and the Swastika : The International Expansion of the Third Reich Cinema

ナチス時代ドイツ映画の国際的普及<br>Cinema and the Swastika : The International Expansion of the Third Reich Cinema

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ナチス時代ドイツ映画の国際的普及
Cinema and the Swastika : The International Expansion of the Third Reich Cinema

Winkel, Roel Vande (EDT)/ Welch, David (EDT)

ウェブストア価格 ¥22,712（本体¥20,648）
Palgrave Macmillan（2007/01発売）
外貨定価 US$ 109.00
ポイント 206pt

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製本 Hardcover:ハードカバー版／ページ数 342 p.
言語 ENG
商品コード 9781403994912
DDC分類 791.430943

基本説明

New in paperback. Hardcover was published in 2007. This volume investigates various attempts to economically, politically and culturally infiltrate the film industries of 20 countries or regions Nazi Germany occupied, befriended or entertained 'neutral' relationships with.

Full Description

This is the first publication to bring together comparative research on the international expansion of Third Reich cinema. This volume investigates various attempts to infiltrate - economically, politically and culturally - the film industries of 20 countries and regions either occupied by, friendly with or neutral towards Nazi Germany.

Introduction Europe's New Hollywood? The German Film Industry Under Nazi Rule, 1933-1945; D.Welch & R.Vande Winkel 'European Cinema for Europe!' The International Film Chamber, 1935-42; B.G.Martin German Attempts to Penetrate the Spanish-speaking Film Markets, 1936-1942; L.Jarvinen & F.Peredo-Castro Between Resistance and Collaboration: Austrian Cinema and Nazism Before and During the Annexation, 1933-45; R.von Dassanowsky German Influence on Belgian Cinema, 1933-45: from Low-Profile Presence to Downright Colonisation; R.Vande Winkel Nazi Film Politics in Brazil, 1933-42; L.Nazario The Influence of German Cinema on Newly Established Croatian Cinematography, 1941-45; D.Rafaelic A Dangerous Neighbourhood: German Cinema in the Czechoslovak Region, 1933-45; I.Klimes The Attempted Nazification of French Cinema, 1934-44; B.Bowles Cinema Goes to War: the German Film Policy in Greece during the Occupation, 1941-44; E.Sifaki 'Competitor or Compatriot? Hungarian Film in the Shadow of the Swastika', 1933-44; D.S.Frey A War Within the War: Italy, Film, Propaganda and the Quest for Cultural Hegemony in Europe (1933-43); A.A.Kallis Celluloid Competition: German-Japanese Film Relations, 1929-45; J.Hansen From Dawn to Young Eagles : The (Failed) Attempt of Germanisation and Nazification of Luxembourg Through Cinema, 1933-1944; P.Lesch Dutch-German Film Relations Under German Pressure and Nazi Occupation, 1933-45; I.Schiweck From Will to Reality - Norwegian Film During the Nazi Occupation, 1940-45; B.Sorenssen Brown-Red Shadows: The Influence of Third Reich and Soviet Cinema on Afrikaans Film; K.Tomaselli & M.Eckardt Film and Politics in South-East Europe: Germany as 'leading cultural nation'; T.Kirk German Films on the Spanish Market Before, During and After the Civil War; M.A. Paz & J.Montero Swedish Film and Germany, 1933-45; R.Wright Film Propaganda and the Balance between Neutrality and Alignment: Nazi Films in Switzerland, 1933-45; G.Haver 'A thin stream issuing through closedlock gates': German Cinema and the United Kingdom, 1933-45; J.Fox German Films in America, 1933-45: Public Diplomacy and an Uncoordinated Information Campaign; D.Culbert German Film Politics in the Occupied Eastern Territories, 1941-45; R.Forster Select Bibliography