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Full Description
Explores Thomas Hardy's engagement with Victorian legal debates in his prose fiction
Thomas Hardy's fiction is examined in this book in the context of the seismic legal reforms of the nineteenth century as well as legal discourse in the literature of the era. The book examines the ways in which Hardy's role as a magistrate and his interest in the law impacted fundamentally on his prose fiction. It demonstrates that throughout his prose fiction Hardy engages with contentious legal issues that were debated by legal professionals and literary figures of his day, and argues that Hardy used fiction as a forum to question the extent to which legal reform improved the lives of women and the working classes.
The study also looks at the ways in which Hardy deployed criminal plots derived from sensation fiction and reveals that the genre's engagement with legal reform influenced not only his sensation novel Desperate Remedies (1871) but also the plots of his subsequent fiction.
Contents
INTRODUCTION; "IF YOU ONLY KNEW ME THROUGH AND THROUGH": THE DOMESTIC TRIAL SCENE AND NARRATIVE ADVOCACY; "I WASN'T IN MY SENSES - AND A MAN'S SENSES ARE HIMSELF": THE LEGAL DEFENCE OF INSANITY; "I HATE TO BE THOUGHT MEN'S PROPERTY IN THAT WAY": MARRIED WOMEN AND THE LAW; 'WAITERS ON CHANCE': THE TICHBORNE CLAIMANT, LAND LAW REFORM AND RURAL DISPOSSESSION ; CONCLUSION.
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