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Full Description
In 1992, John Singleton became the first Black filmmaker, as well as the youngest, to be nominated for the Best Director award at the Oscars. In the following decade, Singleton cemented his reputation as a Hollywood auteur who could move across genres while making critically acclaimed films that share a preoccupation with the triumphs and tribulations of Black life in America. And yet, Singleton's films have received relatively little academic attention.
ReFocus: The Films of John Singleton fills this scholarly vacuum. This collection of original chapters addresses Singleton's treatment of gender and racial difference, the family, urban space, and traumatic histories; it also identifies sources of inspiration in both Hollywood and world cinema, as well as draws connections between his films and the work of Black American literary figures. This collection is an invaluable resource for the future of Singleton studies.
Contents
List of Figures
List of Contributors
Acknowledgements
Introduction: Singleton Agonistes
Daniel Dufournaud
Part I. Singleton's Themes and Tropes
1. Failed Mothers in Boyz N the Hood and Baby Boy
Indya J. Jackson
2. Can Daddy Save the Day?: On John Singleton's Use of Realist Fantasy in Boyz N the Hood, Baby Boy and Rosewood
Angela Tharpe
Part II. Singleton's Politics of Resistance
3. Black Men Loving Black Men and the Centrality of Women in John Singleton's Films: A BlackCrit, Queer, Feminist Analysis
Martez Files, Dominique J. Hector, and Victor Terry
4. Running from Predation: Hush Harbors and the Place of Black Student (Bodies) in Higher Learning
Khirsten L. Scott and Ariana Denise Brazier
Part III. Singleton and African American Literature
5. "Hope to God There's Another Place that's Better than This": Blues Spaces and The Pittsburgh
Cycle in John Singleton's Boyz N the Hood and Baby Boy
Trevon Pegram
6. Love and Black Privacy: Watching John Singleton with James Baldwin
Daniel Dufournaud
Part 4. Singleton and History
7. The Shadow of the Past: Hauntology, Melancholia, and Rosewood as Reparative Narrative
Ed Cameron and Linda Belau
8. "The Ghetto Game of Thrones": Snowfall, Auteur Theory, and Historiographic Television
Daniel Dufournaud