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Full Description
The Midcentury Minor Novel brings to light a distinctive mode of the American novel emergent in the middle decades of the twentieth century. It explains how a group of neglected writers reimagined the novel as a minor form, defined by its constraints rather than its possibilities. Reflecting a broadly held view among critics that midcentury fiction was in crisis or decline, these 'minor writers' sought to make a virtue of what were taken to be the novel's bleak prospects, crafting fictions of modest proportions and seemingly attenuated ambition that reflexively explored their own aesthetic limitations. Ironically, the book argues, midcentury anxieties about the 'death of the novel' breathed new life into it. Blending literary criticism and intellectual history, the book offers close readings of five writers who shared this curious project for the novel, an account of which adds texture to our understanding of the aesthetic diversity of midcentury American literature.
Contents
Acknowledgements
Introduction in a Minor Key
'A refusal to be great': Lionel Trilling's The Middle of the Journey and The Journey Abandoned and the minor novel of ideas
Breaking into laughter: Anticommunism, late modernism, and Eleanor Clark's The Bitter Box
Changing form: Jean Stafford and the limits of New Criticism
Herzog in Venice: Richard Stern's Stitch and Jewish American literary history
A lost classic: John Williams's Stoner and the 'rediscovery' of the midcentury minor novel
Coda: Towards a Minor Criticism
Bibliography
