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Full Description
Animated documentaries dealing with the Holocaust, Holocaust survivors, and their descendants constitute a new phenomenon and inaugurate a new field of Holocaust commemoration. This book is the first comprehensive analysis of animated Holocaust documentaries. It explores movies produced in the USA, Canada, Australia, Europe, and Israel.
Based on theories developed in the fields of animated documentary, Holocaust studies, cinema studies, trauma studies, and memory studies, this volume discusses the ways in which animated Holocaust documentaries create a new layer of Holocaust microhistory, their advantages, and their disadvantages. It shows how these movies visualize subject matter that previously eluded live-action documentaries such as the unfilmed past and people's inner worlds.
The book shows that Holocaust animated documentaries also have specific shortcomings and have generated a new set of problems relating to Holocaust memory and representation. For example, the vast majority marginalize the horrors and instead focus on bravery, resilience, and hope.
Contents
Preface Introduction
Part I "Unimating" the Holocaust
Chapter 1: Standing up to the Nazis
Chapter 2: Resourcefulness
Chapter 3: Ghettos and Camps
Chapter 4: The Exceptional - Representing the Horrors
Part II: The Life After
Chapter 5: The Face of Post-Trauma
Part III: Secondary Trauma, Postmemory, and Wishful Postmemory
Chapter 6: Struggling with the Parents' Memories
Chapter 7: The Memories Don't Let Go
Conclusion
References
Filmography
Index
