- ホーム
- > 洋書
- > 英文書
- > Cinema / Film
Full Description
The book examines how Danish and German film interacted with one another from 1910 through World War I till the advent of sound around 1930. The film businesses of the two countries were closely connected, and many film professionals crossed back and forth across national borders. The studies in this book include production and distribution history, censorship, celebrity studies, and aesthetic analysis. They contribute to European film and cultural history through extensive empirical investigation of films, persons and companies. The underlying perspective is that of entangled film history, an approach that stresses cross-border interchanges and mutual influences. Written by an international team of scholars, the book marks the conclusion of a four-year collective research project running alongside the stumfilm.dk initiative to digitise the entire Danish silent film heritage.
Contents
Acknowledgments
Introduction - Lars-Martin Sørensen and Casper Tybjerg
Danish-German Entanglements - Casper Tybjerg
How "Danish" were Danish Stars in Germany during the Silent Era? - Alice Salamena and Stephan Michael Schröder
How "German" was German Film in Denmark during the Silent Era? - Lars-Martin Sørensen
Sherlock Holmes in Transit - Palle Schantz Lauridsen
Female Stars of German Cinema in an Entangled Danish Film Culture - Helle Kannik Haastrup
Same Frame, Different Lens? Exporting Danish Film Style - Vito Adriaensens
'Die Deutsch-Nordische-Film-Union marschiert!': - the Entangled Relations between Nordisk Films Kompagni, UFA, and DNFU 1918-1928 - Isak Thorsen
Pat and Patachon as Transnational Film Stars - Jannie Dahl Astrup
Index
