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Full Description
This first collection devoted to Susan Seidelman director, producer and visionary of feminist American cinema and television includes never-before-published archival material and an interview with insights into her process and thoughts on #timesup and the future of the industry.
Her debut feature, Smithereens, was the first American independent film to compete for the Palme d'Or at Cannes. Her knack for casting saw her insist on Madonna for Desperately Seeking Susan before Madonna was famous. Seidelman directed Meryl Streep and John Malkovich in their first comedy features, Roseanne Barr in her first feature film and Laverne Cox in one of her earliest features. Seidelman also directed the Sex and the City pilot, kickstarting a global phenomenon. Seidelman's career is one of firsts, yet little is written about her. This collection begins filling that gap while opening the door for additional scholarship, making this a valuable text for years to come.
Contents
List of Figures and Tables
Notes on Contributors
Acknowledgements
Introduction: Ahead of the Curve - Susan Santha Kerns
Part 1: Building a Foundation
1. The Making of Ms. Right: Susan Seidelman and the Persistence of "Women's Films" - Maya Montañez Smukler
2. Susan Seidelman's Sex and the City: TV Authorship and Feminist Possibility - Elizabeth Alsop
3. "I've always been a voyeur": An Interview with Susan Seidelman - Susan Santha Kerns
Part 2: Embodied Spaces
4. "Who is This?": Smithereens, Susan Seidelman's Auspicious Debut Feature - Susan Santha Kerns
5. Swapping the Suburban Housewife for the NYC Feminist: Susan Seidelman and her Personas - Ruth Wollersheim
6. Original She-Devil Ending Screenplay Pages
7. Unsettling Domesticity: Desperately Seeking Susan, Madonna, and the Voyeuristic Politics of MTV Stardom - Michael Reinhard
8. Directing a City: Susan Seidelman's New York - Josephine M. Yanasak-Leszczynski
9. Making Frankie Stone: Feminism, Post-Romance, and Making Mr. Right - Vanessa Cambier
Part 3: Making Room
10. Electric Melodrama: Susan Seidelman, Childhood, and the Girl Next Door - Debbie Olson
11. Age, Disability, and Agency in the Late-Period Films of Susan Seidelman - Cole Bradley
12. And You Can Dance! Movement, Mobility and Magic in Musical Chairs - Warren Holmes
13. Death, Illusion and the Hijab in Susan Seidelman's Cut in Half - Stacy Thompson
Bibliography
Index