The Sense of Place in Contemporary Cinema

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The Sense of Place in Contemporary Cinema

Maury, Corinne/ Guevremont, Francis (TRN)

ウェブストア価格 ¥5,198（本体¥4,726）
Edinburgh University Press（2024/08発売）
外貨定価 US$ 24.95
ポイント 47pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 208 p.
言語 ENG
商品コード 9781399501408
DDC分類 791.43025

Full Description

What purpose does place serve in films? When it is not just a background to actions, or indistinguishable from the landscape, or a simple space to walk through, a kind of neutral territory? Such filmmakers as Chantal Akerman, Lisandro Alonso, Pedro Costa, Bruno Dumont, Bela Tarr, Avi Mograbi, Tariq Teguia, Philippe Grandrieux, Daniele Huillet & Jean-Marie Straub and Sharunas Bartas, chose not to focus solely the cinematic narration on the fate of the characters. They showed telluric spatialities, inhabited territories, existential matrices where ways of doing and of living were mobilized, where forces of emancipation and existential weaknesses were carried out. Welcoming rooms, remarkable transitions, havens for individual and communal destinies: place in cinema sometimes implies the insecurity of an unfinished project, sometimes the solidity of fortifications. The Sense of Place in Cinema demonstrates the importance of place and its aesthetic potentialities in film.
Edinburgh University PressEdinburgh University PressEUP-EDIN9781399501439Shirley ClarkeThinking Through MovementKaren PearlmanA01BB1Visionaries: The Work of Women Filmmakerseng20021613830 black and white illustrations (colour ebook)ATFBPER0180000631/01/2025NP90.0090.00Z120.00WorldExamines the films of Shirley Clarke using theory from creative practice and distributed cognition???????.Shirley Clarke: Thinking Through Movement is the first film-philosophy book on radical, pioneer, visionary' (Dargis 2013) filmmaker Shirley Clarke and the films she edited and directed. The book draws on film analysis, archival research, dance and film theory, and creative practice expertise, to think through Clarke's work as a dancer turned multi-award-winning editor and director of dancefilm, fiction, documentary, and video art. This account of Clarke's creative oeuvre offers the reader insight into a too long overlooked filmmaker. Its creative practice and distributed cognition framework provides tools for dismantling some of the exclusionary aspects of authorship theories and offers a novel method for analysis of films, filmmaking practices and cultures of film production.

Introduction

Part I: Chantal Akerman: Cloistered Nomadism

1. Blow Up My Town, everyday rowdiness

2. Jeanne Dielman: neurotic seclusion

3. From cities to walls, a local change of scenery

Part II: The House as a Place of Declarations and Meditations

4. Avi Mograbi, The Political Workshop

5. A Moving Inwardness: Alexander Sokurov's A Humble Life

Part III: The Forest: From Sensory Environment to Economic Site

6. Philippe Grandrieux's forest-matter: a multisensory place

7. Naomi Kawase's The Mourning Forest: the March of Bodies, the Spiritual Journey

8. Danièle Huillet and Jean-Marie Straub: The "Sacred Sobriety" of the Undergrowth

9. Lisandro Alonso's La Libertad and Los Muertos: the Dual Forest

Part IV: The Banlieue: Off-centred, Isolated10. Pasolini's Vacant Lots

11. Pedro Costa's Colossal Youth: From the Slums to the Sanitised Apartment

12. Tariq Teguia and the Algerian Banlieue: A Field of Ruins

Part V: The Strangeness of Places and the Solitude of Men

14. Bruno Dumont's Hamlets: Cursed and Isolated Places

15. Béla Tarr, Waiting Behind Barricades

16. Sharunas Bartas' Undergrounds

Epilogue Table of figuresBibliography