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Full Description
Furniture is a unique witness to the transformations of private and public experience amidst the upheavals of the 20th century: how we work, rest, and play are determined by the embodied encounter with furniture, defining and projecting a sense of identity and status, responding to and exemplifying contrasting social conditions, political and economic motivations, aesthetic predilections, and debates. Assessing physical and archival evidence drawn from a spectrum of iconic and under-represented case studies, an international team of design historians collaborate in this volume to explore key methodological questions about how the production, consumption, and mediation of furniture reveal shifting cultural habits and histories across diverse contexts amidst modernity.
Drawing upon a wealth of visual and textual sources, this volume of A Cultural History of Furniture presents essays that examine key characteristics of the furniture of the modern period on the themes of design and motifs; makers, making, and materials; types and uses; the domestic setting; the public setting; exhibition and display; furniture and architecture; visual representations; and verbal representations.
Contents
List of Illustrations
Notes on Contributors
Series Preface
Introduction, Claire I. R. O'Mahony, University of Oxford, UK
1. Design and Motifs, Trevor Keeble, University of Portsmouth, UK
2. Makers, Making, and Materials, Antony Buxton, University of Oxford, UK
3. Types and Uses, Marjan Groot, Vrije Universiteit Amsterdam, The Netherlands
4. The Domestic Setting, Penny Sparke, Kingston University, UK
5. The Public Setting, Helena Chance, Buckinghamshire New University, UK
6. Exhibition and Display, Claire I. R. O'Mahony, University of Oxford, UK
7. Furniture and Architecture, Gregory Votolato, Buckinghamshire New University, UK
8. Visual Representations, Clive Edwards, Loughborough University, UK
9. Verbal Representations, Anja Baumhoff, Leibniz University Hannover, Germany
Notes
Bibliography
Index
