- ホーム
- > 洋書
- > 英文書
- > Performing Arts
Full Description
Musical theatre is often perceived as either a Broadway based art form, or as having separate histories in London and New York. Musical Theatre Histories: Expanding the Narrative, however, depicts the musical as neither American nor British, but both and more, having grown out of frequent and substantial interactions between both centres (and beyond). Through multiple thematic 'histories', Millie Taylor and Adam Rush take readers on a series of journeys that include the art form's European and American origins, African American influences, negotiations arounddiversity, national identity, and the globalisation of the form, as well as revival culture, censorship and the place of social media in
the 21st century.
Each chapter includes case studies and key concept boxes to identify, explain and contextualise important discussions, offering an accessible study of a dynamic and ever evolving medium.
Written and developed for undergraduate students, this introductory textbook provides a newly focused and alternative way of understanding musical theatre history.
Contents
'Why We Tell the Story': Introduction
Historiography and Context(s)
Deciphering Multiple Histories
How to Read this Book
Chapter 1 - 'Do You Hear the People Sing?': From Operetta to Poperetta
European Origins
Musical Comedy and Broadway Operetta (1900-1940)
American Origins
Into the Twentieth Century
The Musical Play and Beyond (1940-1960)
Fragmentation and the Concept Musical
The Megamusical, or Poperetta
Conclusion
Chapter 2 - 'New Music': From Ragtime to Rap
Ragtime and Early African American Music
Early African American Musical Theatre
Shuffle Along, And All That Jazz
The Rise of Minstrelsy and 'Coon Songs'
Dreamgirls and Motown
Rap, Hip-Hop and Hamilton
Conclusion
Chapter 3 - 'Waving Through A Window': From Intertext to Instagram
Literary Adaptations
Stage and Screen Interactions
The Wonderful World of Oz
Singin' in the Rain and the Hollywood Film Musical
Disney and the Animated Musical
Cast Recordings
You Already Know You're Gonna Love It...
Television Musicals
Social Media and the Worldwide Web (of Showtunes)
Conclusion
Chapter 4 - 'Easy to be Hard': From Censorship to Sex
Legal Censorship in Britain, 1485-1843
A Changing Landscape, 1843-1968
Censorship in America, 1620-1967
Politics meets Finance
Hair (and all that followed)
Self-Censorship and Political Correctness
Conclusion
Chapter 5 - 'Stand Up': From Gender Duality to Diversity
Late Victorian Britain
Music Hall and Variety
Early Twentieth Century Transatlantic Transfers
The 'Golden Age' - Post-World War II
Diversity and Difference - After the 1960s
Into the Twenty First Century
Conclusion
Chapter 6 - 'Another National Anthem': From Ourselves to the Other
Before the Great War
World War II and Post-War Reconstruction
1990s British Resurgence (as Mythologised in American Musicals)
Challenging American Mythology
Hybrid Influences in Musical Theatre
Conclusion
Chapter 7 - 'A Whole New World': From The Mikado to the Megamusical
Colonialism
Culture within Colonialism
The Cultural Dimension of Globalisation
Global Producers and International Productions
Conclusion
Chapter 8 - 'Journey to the Past': From Revival to Revisal
Reviving Gypsy
1970s American Revivals
New Models and Styles
(Concert and Small-Scale Productions, Actor-Musicianship, Opera House Productions)
Revision and Reinvention
Conclusion
Abstracts + Keywords
Bibliography
