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Full Description
At the opening ceremony for the London 2012 Olympics, a global audience of nearly one billion viewers were treated to the unprecedented sight of James Bond meeting Queen Elizabeth II. Shortly after, the 'Queen' hurled herself out of a helicopter, her Union Jack parachute guiding her down to the Olympic Stadium. What it is about moments such as these that define both a particular idea of Britishness and a particular type of British film comedy? How has British cinema exploited parody as a means of negotiating its sense of identity? How does this function within a globalized marketplace and in the face of dominant Hollywood cinema?
Beyond a Joke explores the myriad ways British film culture has used forms of parody, from the 1960s to the present day. It provides a contextual and textual analysis of a range of works that, while popular, have only rarely been the subject of serious academic attention - from Morecambe and Wise to Shaun of the Dead to the London 2012 Olympics' opening ceremony. Combining the methodologies both of film history and film theory, Beyond a Joke locates parody within specific industrial and cultural moments, while also looking in detail at the aesthetics of parody as a mode. Ultimately, such works are shown to be a form of culturally specific film or televisual product for exporting to the global market, in which 'Britishness', shaped in self-mocking and ironic terms, becomes the selling point. Written in an accessible style and illustrated throughout with a diverse range of examples, Beyond a Joke is the first book to explore parody within a specifically British context and makes an invaluable contribution to the scholarship on both British and global film culture.
Contents
One: Cricklewood vs. Hollywood: The Roots and Routes of British Parody on Screen
Two: Silly, Really: Parody, Genre and Realism in Monty Python's The Holy Grail and Life of Brian
Three: History and Hysteria: The Charge of the Light Brigade, Royal Flash and Ripping Yarns
Four: 'The Shit Just Got Real': Negotiating Hollywood in The Strike, Spaced, Shaun of the Dead and Hot Fuzz
Five: From Distance to Difference: Parody, Participation, and the Cultural Canon
Six: Where No Joke Has Gone Before: Parody as Science Fiction in The Hitchhiker's Guide to the Galaxy, Paul and Moon
Epilogue: James Bond, Runner Beans and Jumping Queens
