Rethinking Theatrical Documents in Shakespeare's England

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Rethinking Theatrical Documents in Shakespeare's England

Stern, Tiffany (EDT)

ウェブストア価格 ¥26,906（本体¥24,460）
The Arden Shakespeare（2019/11発売）
外貨定価 US$ 130.00
ポイント 244pt

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製本 Hardcover:ハードカバー版／ページ数 304 p.
言語 ENG
商品コード 9781350051348
DDC分類 792.094209031

Full Description

This cutting-edge open access collection brings together major scholars of theatre and book history to explore the documents that constituted early modern plays before, during, and after performance.

Rethinking Theatrical Documents brings together fifteen major scholars to analyse and theorise the documents, lost and found, that produced a play in Shakespeare's England. Showing how the playhouse frantically generated paratexts, it explores a rich variety of entangled documents, some known and some unknown: from before the play (drafts, casting lists, actors' parts); during the play (prologues, epilogues, title-boards); and after the play (playbooks, commonplace snippets, ballads) - though 'before', 'during' and 'after' intertwine in fascinating ways. By using collective intervention to rethink both theatre history and book history, it provides new ways of understanding plays critically, interpretatively, editorially, practically and textually.

The ebook editions of this book are available open access under a CC BY-ND licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

List of Illustrations
Acknowledgements
Note on the Text
Notes on Contributors

Introduction

Part One: Documents Before Performance

1 Writing a Play with Robert Daborne: Lucy Munro (King's College, London, UK)
2 A Sharers' Repertory: Holger Syme (University of Toronto, Canada)
3 Parts and the Playscript: Seven Questions: James J. Marino (Cleveland State University, USA)
4 Undocumented: Improvisation, Rehearsal and the Clown: Richard Preiss (University of Utah, USA)

Part Two: Documents of Performance
5 'Rethinking Prologues on Page and Stage': Sonia Massai (King's College, London) and Heidi Craig (The Folger Shakespeare Library, USA)
6 Title-and Scene-Boards: The Largest, Shortest Documents: Matt Steggle (Sheffield Hallam University, UK)
7 'What is a staged book? Books as 'Actors' in the Early Modern English Theatre' (Sarah Wall-Randell, Wellesley College, USA)

Part Three: Documents After Performance
8 Flowers for English Speaking: Play Extracts and Conversation: András Kiséry (The City College of New York, USA)
9 Shakespearean Extracts and the Misrepresentation of the Archive: Laura Estill (Texas A and M University, USA)
10 Typography After Performance: Claire M. L. Bourne (Pennsylvania State University, USA)
11 Shakespeare the Balladmonger: Tiffany Stern (Shakespeare Institute, University of Birmingham, UK)

Part Four: Documents Beyond Performance
12 Lost Documents, Absent Documents, Forged Documents: Roslyn Knutson (University of Arkansas, USA) and David McInnis (University of Melbourne, Australia)

13 Afterward: Peter Holland (Notre Dame University, USA)

Notes
Bibliography
Index