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Full Description
Shakespeare's and Peele's Titus Andronicus has had a theatrical and a critical revival in the last fifteen years; the critical revival was perhaps prompted by Jonathan Bate's Arden edition of the play and its revision of the traditional critical account that it is an immature work and overly sensationalistic with its emphasis on non-essential violence. Recent debates and approaches have drawn closer attention to the play's classicism; re-defined its genre (for example the revised edition of the New Dramatic Sources will re-classify the play as one of Shakespeare's Roman plays); re-considered the nature of violent spectacle, family relations and kinship, political alliance, race and miscegenation. This study will explore how the revitalized critical responses to early modern and contemporary performance histories has had a significant impact upon the wider reception of this play.
Contents
List of illustrations
List of contributors
Series preface
Introduction, Farah Karim-Cooper (Shakespeare's Globe, UK)
Part 1: Genre, style and sources
1. Senecan belatedness and Titus Andronicus, Curtis Perry (University of Illinois at Urbana Champaign, USA)
2. Titus Andronicus: Elizabethan Classicism and the Styles of New Tragedy, Goran Stanivukovic (Saint Mary's University, Canada)
3. Soliloquies in Titus Andronicus: An Empirical Approach, James Hirsh (Georgia State University, USA)
Part 2: Critical approaches: Race, culture and politics
4. "I have done thy mother": Racial and sexual geographies in Titus Andronicus, John Kunat (Sonoma State University, USA)
5. Remixing the family: Blackness and domesticity in Shakespeare's Titus Andronicus, David Sterling Brown (Binghampton Universty, SUNY, USA)
6. 'If I might have my will': Aaaron's affect and race in Titus Andronicus, Carol Mejia LaPerle (Wright State University, USA)
Part 3: Critical approaches: Bodies, emotions and metaphor
7. Metaphorically Speaking: Titus Andronicus and the Limits of Utterance, Jennifer Edwards (Shakespeare's Globe, UK)
8. Granular Reading: Texture, Language and Surface Marks in Titus Andronicus, Whitney Sperrazza (University of Kansas, USA)
Part 4: Performance and adaptation
9. 'Did you see that?!': Titus Andronicus and Theatrical Transgression, Ralph Alan Cohen (Mary Baldwin University, USA)
10. In/di/gestion: Seneca-->Shakespeare-->South Park, Lizz Angello (University of South Florida, St. Petersburg, USA)
11. 'My tears will choke me, if I ope my mouth': Framing, Feasting and Speaking Sexual Violence in Titus Andronicus, 2006-2017, Emma Whipday (University of Newcastle, UK)
Notes
Index
