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Full Description
Children and youth perform both innocence and knowingness within Hitchcock's complex cinematic texts. Though the child often plays a small part, their significance - symbolically, theoretically, and philosophically - offers a unique opportunity to illuminate and interrogate the child presence within the cinematic complexity of Hitchcock's films.
Contents
Introduction: Hitchcock's Children; Debbie Olson 1. Hitchcock's Missing Children: Genre, Auteurship, and Audience Address; Noel Brown 2. "The Future's Not Ours to See": How Children and Young Adults Reflect the Anxiety of Lost Innocence in Alfred Hitchcock's American Movies; Jason McEntee 3. The Child Who Knew Too Much: Liminality in Alfred Hitchcock's The Man who Knew Too Much (1934 and 1956); Elizabeth Ramsey 4. No Laughing Matter: Imperiling Kids and Country in Alfred Hitchcock's Sabotage; Peter Lee 5. "If You Ripped the Fronts Off Houses": Killing Innocence in Hitchcock's Shadow of a Doubt; Markus Bohlmann and Sean Moreland 6. Daddy's Girl: The Knowing Innocent in Strangers on a Train; Brian Walter, St. Louis College of Pharmacy 7. Renegotiating Romanticism and the All-American Boy Child: Alfred Hitchcock's The Trouble with Harry; Adrian Schober 8. Between Knowingness and Innocence: Child Ciphers in Hitchcock's Marnie and The Birds; F. E. Pheasant-Kelly 9. The Child Hero in Alfred Hitchcock's The Birds; Samantha Lay 10. "It's the End of the World!": Alfred Hitchcock's The Birds and the Evil Children Film; Craig Martin 11. Psycho without a Cause: Norman Bates and Juvenile Delinquency Cinema; Kevin J. Wetmore, Jr. 12. Hitchcock's Stylized Capture of Post-Adolescent Fatheads; William McBride
