ラウトレッジ版 ビジュアル犯罪学ハンドブック<br>Routledge International Handbook of Visual Criminology (Routledge International Handbooks)

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ラウトレッジ版 ビジュアル犯罪学ハンドブック
Routledge International Handbook of Visual Criminology (Routledge International Handbooks)

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  • 製本 Hardcover:ハードカバー版/ページ数 578 p.
  • 言語 ENG
  • 商品コード 9781138888630
  • DDC分類 364

Full Description

Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions.

This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field:

• Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images.

• Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics.

• Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law.

• Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved.

• Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field.

This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.

Contents

Introducing Visual Criminology, Michelle Brown and Eamonn Carrabine
Part I: Foundations - History, Theory Methods




Law, evidence and representation, Katherine Biber



Social science and visual culture, Eamonn Carrabine



"We never, never talked about photography": Documentary photography, visual criminology, and method, Jeff Ferrell



Crime films and visual criminology, Nicole Rafter



Key methods of visual criminology: An overview of different approaches and their affordances, Luc Pauwels



Visions of legitimacy: Public criminology, the image and the legitimation of the carceral state, Jonathan Simon



Carceral geography and the spatialization of carceral studies, Dominique Moran



Art and its unruly histories: Old and new formations, Eamonn Carrabine
Part II: Images and Crime




Making the criminal visible: photography and criminality, Jonathan Finn



Documentary criminology: A cultural criminological introduction, Keith Hayward



Going feral: Kamp Katrina as a case study of documentary criminology, David Redmon



Mediated suffering, Sandra Walklate



Media, popular culture and the lone wolf terrorist: The evolution of targeting, tactics and violent ideologies, Mark Hamm and Ramón Spaaij



Representing the pedophile, Steven Kohm



Street art, graffiti and urban aesthetics, Alison Young



Risky business: Visual representations in corporate crime films, Gray Cavender and Nancy Jurik



Crimesploitation, Paul Kaplan and Daniel LaChance
Part III: Images and Criminal Justice




In plain view: Violence and the police image. Travis Linneman



The role of the visual in the restoration of social order, Tony Kearon



Opening a window on probation cultures: A photographic imagination, Anne Worrall, Nicola Carr and Gwen Robinson



How does the photograph punish?, Phil Carney



The visual retreat of the prison: Non-places for Non-people, Yvonne Jewkes, Eleanor Slee and Dominique Moran



Pervasive punishment: Experiencing supervision, Wendy Fitzgibbon, Christine Graebsch and Fergus McNeill



Graphic justice and criminological aesthetics: Visual criminology on the streets of Gotham, Thomas Giddens
Part IV: Accusing Images and Images Accused




Staged imagery of killing and torture: Ethical and normative dimensions of seeing, Lieve Gies



Jus Des(s)erts? Crime and Punishment in the Italian Last Judgement, Lisa Wade



Visualizing blackness - racializing gameness: Social inequalities in virtual gaming communities, Jordan Mazurek and Kishonna Gray



Visual power and sovereignty: Indigenous art and colonialism, Chris Cuneen



Asylum seekers and moving images: Walking, sensorial encounters and visual criminology, Maggie O'Neill



Visual criminology and cultural memory: The aestheticization of boat people, Jacqueline Wilson



Seeing and seeing-as: Building a politics of visibility in criminology, Sarah Armstrong



The concerned criminologist: Refocusing the ethos of socially committed photographic research, Cécile Van de Voorde



Los Angeles, urban history and neo-noir cinema, Gareth Millington



Against a "humanizing" prison cinema: The Prison in Twelve Landscapes and the politics of abolition imagery, Brett Story
Part V: Future Directions




Fascinated receptivity and the visual unconscious of crime, Stephen Pfohl



The criminologist as visual scholar in a global mediascape, Michelle Brown



Sunk capital, sinking prisons, stinking landfills: Landscape, ideology, visuality and the carceral state in central Appalachia, Judah Schept



Territorial coding in street art and censure: Ernest Pignon-Ernest's contribution to visual criminology, Ronnie Lippens



Representations of environmental crime and harm: A green-cultural criminological perspective on Human-Altered Landscapes, Avi Brisman



There's no place like home: Encountering crime and criminality in representations of the domestic, Michael Fiddler



Monstrous nature: A meeting of gothic, green and cultural criminologies, Nigel South

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