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Full Description
This volume enacts a project we term 'a politics of form', working to politicise the formal analysis of narrative in novels, life narratives, documentaries, dramas, short prose works and multimodal texts while retaining the form specificity that is distinctive of narratology. The introduction offers an overview of how to perform narrative analysis in conjunction with ideological critique, while the chapters unite the formal analysis of texts with readings that uncover how structures of social power are expressed in, as well as challenged by, aesthetic forms. The contributors address the need to develop sustained political analysis of aesthetic and narrative forms, and they articulate methods for performing such analysis while reflecting on the politics of the work they undertake. By establishing criteria to describe the politicised use of narrative forms, and by historicising narratological concepts, the volume bridges theoretical gaps between narratology, critical theory and cultural analysis, resulting in the refinement of existing narratological models. This book was originally published as a special issue of the European Journal of English Studies.
Contents
Introduction: Towards a politics of form 1. Combined and uneven styles in the modern world-system: stylistic ideology in José de Alencar, Machado de Assis and Thomas Hardy 2. Liberal formalisms 3. The politics of fictionality in documentary form: The Act of Killing and The Ambassador 4.The politics of form in Samuel Beckett's late theatre and prose 5. A cast never on stage before: revolution, utopia and social critique in David Caute's Comrade Jacob and Caryl Churchill's Light Shining in Buckinghamshire 6. Towards resilience and playfulness: the negotiation of indigenous Australian identities in twentieth-century Aboriginal narratives 7. Israeli-Palestinian narratives and the politics of form: reading Side by Side
