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Full Description
What does it mean for music to be considered local in contemporary Christian communities, and who shapes this meaning? Through what musical processes have religious beliefs and practices once 'foreign' become 'indigenous'? How does using indigenous musical practices aid in the growth of local Christian religious practices and beliefs? How are musical constructions of the local intertwined with regional, national or transnational religious influences and cosmopolitanisms?
Making Congregational Music Local in Christian Communities Worldwide explores the ways that congregational music-making is integral to how communities around the world understand what it means to be 'local' and 'Christian'. Showing how locality is produced, negotiated, and performed through music-making, this book draws on case studies from every continent that integrate insights from anthropology, ethnomusicology, cultural geography, mission studies, and practical theology. Four sections explore a central aspect of the production of locality through congregational music-making, addressing the role of historical trends, cultural and political power, diverging values, and translocal influences in defining what it means to be 'local' and 'Christian'. This book contends that examining musical processes of localization can lead scholars to new understandings of the meaning and power of Christian belief and practice.
Contents
Introduction: Music as local and global positioning: how congregational music-making produces the local in Christian communities worldwide, Monique M. Ingalls, Muriel Swijghuisen Reigersberg and Zoe C. Sherinian; PART I: Engaging musical pasts: continuity and change in congregational song practices; 1 The saints who sing and dance: enchanting subjunctive visions in Southeast Brazil, Suzel Ana Reily; 2 Indigenizing Navajo hymns: explaining the fame of Elizabeth and Virginia, Kimberly Jenkins Marshall; 3 Give us a piece of that Old Time Religion: why mainline Protestants are (re)claiming an evangelical musical heritage, Deborah Justice; PART II: Congregational music and the politics of indigeneity; 4 Song as gift and capital: intercultural processes of indigenization and spiritual transvaluation in Yolngu Christian music, Fiona Magowan; 5 Performing glocal liturgies: the Second Vatican Council and musical inculturation in East Africa,Nicholas Ssempijja; 6 Inculturation, institutions, and the creation of a localized congregational repertoire in Indonesia, Marzanna Poplawska; PART III: Rifts, reconciliation, and coexistence: congregational music-making in the diverse locale; 7 Sounds of localisation in South African Anglican church music: some examples of transformation at the College of the Transfiguration in Grahamstown, Andrew-John Bethke; 8 Secular-sacred interface: The Lisu farmer chorus and the cultural politics of representation of minority culture in Yunnan's Northwestern Nujiang Prefecture, Diao Ying; 9 Interreligious music networks: capitalizing on Balinese gamelan, Dustin D. Wiebe; PART IV: Christian musical cosmopolitanisms:producing the local across racial and national lines; 10 Congregational song and musical 'accommodation' in a South African Lutheran parish, Laryssa Whittaker; 11 Mediating racial and spiritual difference in Harlem: Cocolo Japanese Gospel Choir and Convent Avenue Baptist Church, Marti Newland; 12 Sonic citizenship: rites and rights of belonging in Ireland, Helen Phelan; Afterword: On the anthropology of Christianity, the complexity of the local, and the study of Christian Congregational Music in global perspective, Joel Robbins
