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Full Description
Gender and the Nuclear Family in Twenty-First-Century Horror is the first book-length project to focus specifically on the ways that patriarchal decline and post-feminist ideology are portrayed in popular American horror films of the twenty-first century. Through analyses of such films as Orphan, Insidious, and Carrie, Kimberly Jackson reveals how the destruction of male figures and depictions of female monstrosity in twenty-first-century horror cinema suggest that contemporary American culture finds itself at a cultural standstill between a post-patriarchal society and post-feminist ideology.
Contents
Introduction: The "Post'" Era: Defining Post-Patriarchy and Post-Feminism
1. Impossible Womanhood and Post-Feminist Hegemony in Bertino's The Strangers and Pierce's Carrie
2. Like Son, Like Father: Tracing the Male Possession Narrative through Shyamalan's The Sixth Sense, Koepp's Stir of Echoes, and Wan's Insidious and Insidious 2
3. Family Horror and Media Saturation in Verbinski's The Ring and Derrickson's Sinister
4. Returning to the Archaic Mother: Collet-Serra's Orphan, Muschietti's Mama, and Flanagan's Oculus
Conclusion