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Full Description
This collection of essays explores how historians of theatre apply ethical thinking to the attempt to truthfully represent their subject - whether that be the life of a well-known performer, or the little known history of colonial theatre in India - by exploring the process by which such histories are written, and the challenges they raise.
Contents
1. Introduction; Claire Cochrane and Jo Robinson PART I: RE-WRITING (MASTER) NARRATIVES 2. Writing the Ethical Life: Theatrical Biography and the Case of Thomas Betterton; David Roberts 3. Ethics and Bias: Historiography and Anti-Theatrical Prejudice in Nineteenth-Century America; Rosemarie Bank 4. In the Eye of the Beholder: Recognising and Renegotiating the Scenario in Writing Performance Histories; Viv Gardner PART II: 'OTHER' HISTORIES 5. Feminist Historiography and Ethics: a Case Study from Victorian Britain; Katherine Newey 6. Garrison Theatre in Colonial India: Issues of Variation; Poonam Trivedi 7. Facing the Face of the Other: the Case of the Nia Centre; Claire Cochrane PART III: THE ETHICS OF EVIDENCE 8. Collecting And Re-Collecting: the Challenges and Possibilities of Developing a Social Archive in Post-Conflict Northern Ireland; Alison Jeffers 9. Mind the Gaps: Evidencing Performance and Performing Evidence in Performance Art History; Heike Roms Bibliography Index