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Full Description
Born in Germany, where he studied music and philology, Francis Hueffer (1845-89) moved to London in 1869 to pursue a career as a critic and writer on music. He edited a series of biographies of notable musicians, served as music critic for The Times, contributed articles to Grove's Dictionary of Music and Musicians, and was an early advocate and interpreter to the British of Wagner. In 1872 he married Catherine, the younger daughter of the painter Ford Madox Brown. Their son was the writer Ford Maddox Ford. Provençal studies were an abiding interest of Hueffer's and he intended this work, first published in 1878, to be an approachable English-language study of medieval Provençal literary and musical culture. It won him membership of the Félibrige, the association of Provençal writers, and he gave lectures on the topic at the Royal Institution in 1880.
Contents
Preface; Part I. General: 1. The langue d'Oc; 2. Early popular epics; 3. The artistic epic; 4. Other narrative and didactic poems; 5. Apocrypha; 6. Social position of Provençal poets; 7. The joglar; 8. Traces of popular song - the pastorella; 9. Other popular forms; 10. The balada; 11. Artificial forms of poetry; 12. The tenso; 13. The sirventes; 14. The canzo; Part II. Biographical: 15. Guillem de Cabestanh; 16. Peire Vidal; 17. Bertran de Born; 18. Bertran and Richard count of Poitou; 19. Siege of Autafort - Bertran's death; 20. The monk of Montaudon; 21. The reformation of the thirteenth century; 22. The epic of the crusade; 23. Folquet of Marseilles; 24. Guillem Figueira and Peire Cardinal; 25. Ladies and lady troubadours; 26. Beatrice de Die; 27. The courts of love; Part III. Technical: 28. The origin of rhyme; 29. Rhythm; 30. Rhyme; 31. The stanza; 32. Some interlinear versions.
