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Full Description
The Shakespearean International Yearbook surveys the present state of Shakespeare studies in global contexts, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time. Contributions are solicited from scholars across the field and from both hemispheres of the globe who represent diverse career stages and linguistic traditions. Both new and ongoing trends are examined in comparative contexts, and emerging voices in different cultural contexts are featured alongside established scholarship. Each volume features a collection of articles that focus on a theme curated by a specialist Guest Editor, along with coverage of the current state of the field. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in global Shakespeare scholarship and performance practice worldwide.
Contents
Preface - Alexa Alice Joubin and Lisa S. Starks, Introduction "The multi-headed multitude [...] so diversely colour'd:" Introduction to Mixed Race Shakespeares - Adele Lee, Part One: The Text\, 1. "Parti-Coloured Lambs": Constructions Of Mixedness And Interracial Imaginings In The Merchant Of Venice - Caminey Kuropatwa, 2. Liminality, Promise, and Projection: Perdita's Identity and Disguise in The Winter's Tale - Rebecca M. Quoss-Moore, 3. "The Child's Monstrousness" : Enslaving and Murdering Mixed-Race Children in Shakespeare - Julie Thompson , Part Two: Casting, 4. "Half-Blooded Fellow(s):" Bastardy and Biracialism in Shakespeare - Adele Lee, 5. Trans Fury and Bi-Erasure: The Rising Visibility of Shakespeare's Mixed-Race Queens - Daniel G. Lauby, Part Three: Adaptation, 6. "I'm neither one nor the other": Ethnoracial-Religious Identities and Trans Experiences in Yentl as an Adaptation of Twelfth Night - Lisa S. Starks, 7. Replaced and Reimagined: Indian-Jewish Identity in Adaptations of The Merchant of Venice - Erika D'Souz, 8. Good Cop, Bard Cop: Shakespearean Mixtures and Racialized Policework in the Nineteenth-Century Americas - Corinne Zeman, Part Four: State of the Field and Future Directions, 9. Dramaturgy, Phenomenology, and Talmudic Thinking: Methods for a Critical Mixed-Race Studies Approach to Shakespeare - Carla Della Gatta, Index
