Queer Trauma in Children's Anglophone Literature and Cinema (Routledge Research in Gender and Pop Culture)

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Queer Trauma in Children's Anglophone Literature and Cinema (Routledge Research in Gender and Pop Culture)

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  • 製本 Hardcover:ハードカバー版/ページ数 156 p.
  • 言語 ENG
  • 商品コード 9781041078616

Full Description

Queer Trauma in Children's Anglophone Literature and Cinema examines how contemporary English-language novels and films represent trauma in queer childhood and adolescence.

Drawing on Ann Cvetkovich's concept of queer trauma, the book challenges pathologizing models that frame trauma as a private wound, instead revealing its cultural, political, and intersectional production through family expectations, social pressures, bullying, discrimination, and the policing of gender and sexuality. Through close readings across twenty-first-century literature and cinema - including widely taught works such as A Little Life and films like Just Charlie - the study foregrounds quieter, cumulative harms that shape early queer life while tracing how suffering, survival, chosen ties, creative expression, and community-based healing intersect. It develops an accessible framework, "queer trauma of early lives," that enables readers to understand these narratives without reducing queer youth to clinical case studies.

Queer Trauma in Children's Anglophone Literature and Cinema is ideal for undergraduate and graduate students, as well as researchers in gender studies, literary and cultural studies, film and media studies, and childhood studies.

Contents

00. Introduction 01. The Roots of Queer Trauma: Historical and Cultural Legacies of Marginalization 02. Queer Trauma Reconsidered: Defining the Psychic Scars of Early Queer Lives 03. Scarred Bodies, Broken Lives: Queer Trauma and Childhood Sexual Abuse in Hanya Yanagihara's A Little Life 04. The Intersectionality of Queer Trauma in Jeremiah Zagar's We the Animals 05. Queer Trauma and the Troubled Trans* Child in Rebekah Fortune's Just Charlie 06. Children of a Dying World: Eco-Queer Trauma in Imbolo Mbue's How Beautiful We Were 07. Conclusion.

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