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Full Description
Irish Writers and The New Yorker in the Mid-Twentieth Century draws on archival research in the New Yorker Records to uncover the contractual details of the first-reading agreement, The New Yorker's "fat" payments, and Irish writers' relationships with their editors and peers. The book offers fresh readings of the Irish stories in the publishing context of the magazine. The Irish writers examined in this book include celebrated authors, Elizabeth Bowen, Edna O'Brien, Benedict Kiely, and John McGahern. It also includes Irish and Irish-American writers whose literary works are lesser known today: Patricia Collinge, Walter Macken, Norah Hoult, and Elizabeth Cullinan. Combining the methodologies of archival research and periodical studies, this book tells the cultural history of Irish writers' connections with one of America's most influential publications, contributing to a better understanding of the transatlantic and commercial dimensions of Irish literature in the mid-twentieth century. This is an informative research survey for students and scholars in Irish literature and periodical studies.
The Introduction and Chapter 1 of this book are freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 International license.
Contents
Introduction: Irish Writers and The New Yorker
- Historical and Cultural Contexts
- Parameters
- Methodologies and Critical Framework
Chapter One: A General Survey
- The New Yorker "Fat Fee"
- Literary Connections
- Slow Ending
Chapter Two: The Irish Sophisticates
- The New Yorker, Sophistication, and Middlebrow Culture
- Complicating Irish Stereotypes
- Class Anxiety and Sophistication
Coda: Beyond the Mid-Century
- The New Yorker: From 1980 Onward
- Irish Writers at The New Yorker in the Digital Era
- Conclusion
