Full Description
Offering a comprehensive history and analysis of web series as an experimental media form, this book traces this emergence from the late 1990s in the United States to their global influence across platforms like YouTube, Facebook, and TikTok.
Produced independently and outside traditional media channels, web series have transformed screen content by enabling creators to explore unconventional ideas, access new audiences directly, and carve pathways into the industry. This book explores how this medium has reshaped screen production practices and empowered diverse voices in the industry. Key features include the utilisation of the "total value" framework in assessing the cultural value of the format and comparative analyses of international policy responses to web series in Australia and Canada. This book investigates the diversity of creators and content, the varied ways in which web series engage with audiences, the unique production practices employed by creators, and the role of web festivals in this evolving landscape. Concluding with interviews from Australian web series creators, it suggests a re-evaluation of the web series format, highlighting its significant impact on individual careers and community building in screen industries.
This book is designed for an academic audience, including students, educators, and researchers in media, film, and screen production, as well as screen industry professionals and policy-makers interested in innovative content formats. Those researching online engagement, audience studies, and digital media will find valuable insights, as will educators in media and screen studies. By critically examining the development and contributions of web series, this book provides essential perspectives on their growing significance in the global media landscape.
Contents
1. Web series are dead. Long live web series. 2. Beyond the digital frontier: The journey and evolution of web series in Australia 3. How to value a web series: From Bleak to Deadloch. 4. Why support web series anyway? A comparative analysis of web series policy rationales in Canada and Australia 5. The distinctive landscape of small screen production: Reimagining paradigms of creation and reception 6. Women and web series 2012-2019 7. Watching web series: Audiences and engagement 8. The web festival circuit 9. Revaluing web series: The role of web series in creative careers
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