Full Description
Cinema of/for the Anthropocene sheds new light on the question of how films can allow us to resituate ourselves within what is known today as the Anthropocene. The authors address this question through a variety of disciplines and theoretical perspectives, from film and cultural studies, new materialisms, critical posthumanism and animal studies, critical race theory and Indigenous media studies, to gender and sexuality studies, with a primary focus on films produced in the United States and Canada.
The volume moves beyond the mere acknowledgment of the devastating damage inflicted during the Anthropocene to think about new ways of inhabiting the world through concepts such as affect, response-ability, and more-than-human kinship. The writers in this collection respond to its invitation by addressing a range of genres and modes, thus complicating the apocalyptic discourses which have typically been central to the studies on the Anthropocene: in addition to dystopian films, the volume discusses animated films, Hollywood biopics, climate change documentaries, experimental film, comedy, horror sci-fi, as well as disease thriller and survival film. Taken together, the chapters offer cross-disciplinary readings of the cinema of/for the Anthropocene, showing ways in which it can help us re-orient our thinking to make sense of the current age and address the planetary-scale environmental catastrophe.
This volume will appeal to researchers and students in film studies, cultural studies, and the burgeoning field of environmental humanities.
Contents
1. Chapter 1: Thinking Cinema of/for the Anthropocene: An Introduction, 2. Chapter 2: A Film History of Utter Rebellion: Dewesternizing Film Studies for the Chthulucene, 3.Chapter 3: Willful Aesthetics: Pedagogies of Exposure in Animated Short Film, 4. Chapter 4: Envisioning Intergenerational Justice: Hope, Despair, and Transformative Action in Climate Change Films, 5. Chapter 5: Take Back the Walk: Trekking and Female Empowerment in Wild and Tracks, 6. Chapter 6: Between Manipulation and Catharsis: Media Life in the Anthropocene, 7. Chapter 7: Collaborative Making, not Taking: Nova Paul Exposes Cinema's Material Roots, 8. Chapter 8: Land Agency and the Animacy of Stories in Danis Goulet's and Amanda Strong's Short Films, 9. Chapter 9: New Animism and Shamanic Cinema: Human-Animal-Machine Interactions, 10. Chapter 10: Being (with) Animals: Human-Horse Relations, Gender and Queer/Trans Embodiment in Barbara Hammer's A Horse Is Not a Metaphor and Ann Oren's Passage, 11. Chapter 11: Biological Imagination, Critical Environmentalism, and Anthropocene in Annihilation, 12. Chapter 12: Inhabiting a Viral Culture
