- ホーム
- > 洋書
- > 英文書
- > Performing Arts
Full Description
Technology has become fully integrated into the ecologies in which we live, including our ways of making and making sense of theater, dance, and performance.
While these practices have long histories of incorporating tools and instruments in live performances, from masks, to amplification, lighting, and stagecraft, technology today can no longer be understood as a tool complementing essentially non-technological behaviors or environments. Technologies and how they are developed and used are informed by ideas, assumptions, and practices that are culturally and historically situated and have material impacts. Whether implicitly or intentionally, we are always already operating in and requiring creative and critical means of engaging with technoscientific lifeworld's. Authors in this volume show how human-technology intersections within the performing arts reflect developments in the world at large and how artistic inquiry might contribute to or intervene in these tendencies. Together, the chapters in this volume offer a broad view that includes diverse types of performances and a range of technologies without imposing these as categories on a field that does not operate along the lines of such categorizations.
This broad view also allows us to bring together discourses and subjects that have been discussed separately in relation to different genres or aspects of performance, different types of technologies, or from the perspective of different technology-related concerns including interactivity, immersion, inter-, multi-, and transmediality, equity, futurisms, archival practices, and new dramaturgies.
Contents
Acknowledgements
Contributors Biography
Introduction
Chapter 1: Postdigital Performance by Matthew Causey
Chapter 2: Texts and Contexts by Sarah Bay-Cheng, Jennifer Parker-Starbuck and David Saltz
Chapter 3: Intermediality in Theatre and Performance by Chiel Kattenbelt
Chapter 4: László Moholy-Nagy's "Theatre of Totality" by Sue Broadhurst
Chapter 5: The Digital Double by Steve Dixon
Chapter 6: The Co-Evolution of Performance and Technology by Sally Jane Norman
Chapter 7: Soulcraft by Reginold A. Royston
Chapter 8: Robots on Stage in Contemporary Performance by Elizabeth Jochum
Chapter 9: Algorithmic Theater Then and Now by Annie Dorsen and Tom Seller
Chapter 10: Proscenium as Temporary Shelter by Catherine M. Cole
Chapter 11: Performing 'Art and Technology' in Cold War America by Douglas Eacho
Chapter 12: Performance After Automation by Nicholas Ridout
Chapter 13: Dancing and Cameras by Bill T. Jones
Chapter 14: Choreographing Technology, A Dialog with Bebe Miller
Chapter 15: Animate by Timothy Thomasson and Chris Salter
Chapter 16: Body and Shadow by Katherine Graham
Chapter 17: On The Notion of Verticality in Dramaturgy by Jörgen Dahlqvist
Chapter 18: Invisible Performers by Kent Olofsson
Chapter 19: Feminist Unboxing by Jessica J. Rajko
Chapter 20: Yanira Castro Dialog by Norah Zuniga Shaw
Chapter 21: The Non-Linearity of Technical Production in the Performing Arts by Ashley Ferro-Murray
Chapter 22: Headphone Theater and the Performance of Perception by Rosemary Klich
Chapter 23: Choreoauratic Frequencies by Becca Woods
Chapter 24: The Spectatorial Body in Multimedia Performance by Jennifer Parker-Starbuck
Chapter 25: But How Will They Know It's Live? by Jessica Del Vecchio and Eammon Farrell
Chapter 26: The Digital Double as a Choreographic Technique by Suparna Banerjee
Chapter 27: Dramaturgy of Technological Absence by Seda Ilter
Chapter 28: The Cyborg-Apparatus Continuum. or, how the question concerning technology has twisted and turned by Kristof van Baarle
Chapter 29: Access, Performance, Technology by Alice Sheppard
Chapter 30: Utterances of Global Futurisms by Bhumi B Patel
Chapter 31: Performing Telepresence by Evelyn Wan
Chapter 32: The Ear That Speaks by Eddie Paterson and Lara Stevens
Chapter 33: Critical Techno-dramaturgy by Stephen Fernandez
Chapter 34: The Theatricality of Mindar, Kōdai-ji Temple's Android Buddhist Priest by Yuji Sone
Chapter 35: Technologies of Community by Thomas F. Defrantz
Chapter 36: Cultural Dreams of Datafied Bodies by Laura Karreman
Chapter 37: 'In the Half-Light' by Susan Kozel
Chapter 38: Landing and Dispersing at the Same Time by Ruth Gibson and Jenny Roche
Chapter 39: Attending to the Dandelions by Lyndsey Vader
Chapter 40: Black Haptics by Andre M. Zachery
Chapter 41: Performance as an act of Generosity by Christina Chau and Helena Grehan
Chapter 42: Technopoetics of Togetherness by Marcela A. Fuentes
Chapter 43: The Politics of Performance and Technology in South Africa Jay Pather in dialog with Norah Zuniga Shaw and including passages by Dr. Ketu Katrak
Chapter 44: Addenda, Phenomenology, Embodiment by Petra Kuppers
Chapter 45: Blast Theory's Karen by Neill O'Dwyer
Chapter 46: A Bed of One's Own by Eirini Nedelkopoulou
Chapter 47: The Sublime Grandeur of Inconsequential Death by Kate Ladenheim
Chapter 48: Performing Counterhistory by Gabriela Trigo-McIntyre
Chapter 49: Archives of Care by Gesel R. Mason, Rebecca Salzer, and Carlson H. Coogler
Chapter 50: Critical Multimedia Editions for Theater Research by Miguel Escobar Varela
Chapter 51: Evolving Practices of Choreographic Transmission for the Screen and Beyond by Shannon Cuykendall
Chapter 52: Playing at Performance by Kiri Miller
Chapter 53: STEPS by Paul Kaiser
Chapter 54: Just Moves? By Harmony Bench
Chapter 55: TikTok and Short-Form Screendance Before and After Covid by Alexandra Harlig
Chapter 56: Data Drama by Sarah Bay-Cheng with contributions from Mariel Marshall and Daniela Rosu
Index
