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Full Description
Fully revised and updated, this third edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into creative processes, and innovative challenges to understandings about dance-making.
Contributions from a global range of practitioners and researchers address a spectrum of concerns in the field, organised into six broad domains:
Processes of making
Culture, contexts and intersections
Choreography, politics and power
Choreography and interdisciplinary arts practice
Technology, transmission and immersion
Choreographic environments and interventions
Including 24 new chapters and six updated ones, Contemporary Choreography captures the essence and progress of choreography in the third decade of the twenty-first century, supporting and encouraging rigorous thinking and research for future generations of dance practitioners and scholars.
Contents
General Introduction: Studying contemporary choreography
Section 1. Processes of Making
Section Introduction
1. Choreography through a Somatic Lens
2. Dancing identities: How dancers' embodied knowledge underscores creative methods in contemporary dancemaking
3. 'Finding the light': Curiosity, texts and contemporary ballet in Helen Pickett's The Crucible (2019)
4. "If you don't keep it open, you close": Crystal Pite and Jonathon Young's Betroffenheit (2017) and the emotional and psychological implications of theatre dance
5. Creating Future Memories, NOW: FORWARD DANCE COMPANY by LOFFT - DAS THEATER and the reimagining of disability, diversity, and cultural memory
Section 2. Culture, Contexts and Intersections
Section Introduction
6. Maybe You Could Close Your Eyes While I Dance: Age, Ageing, and in/visibility as choreographic drivers in Acting our Age
7. Recomposing Thai Dance for Today's World: Three Modes of Contemporary Choreographic Practice
8. Gaga's Aspirational Politics: Passepartout Bodies and Choreographic Passports
9. Dancing Culture, Talking Global
10. Choreography in Ghana: evolving methods and techniques
11. Choreography as Research: Iteration, Object, Context
Section 3. Choreography, Politics and Power
Section Introduction
12. Vulnerable practice: Thinking through discomfort and precarity in Project O's Voodoo (2017)
13. Dancing Simply together: an example transdisciplinary research in arts and sciences
14. Prize-winning dances; choreography and the competition stage
15. Multifarious identity: Barbardian street dance on the concert stage
16. Moving into Action: change-making through dance activism
Section 4. Choreography and Interdisciplinary Arts Practice
Section Introduction
17. Choreography as a practice of border crossing: ten insights into embracing the impossible in interdisciplinary dance practice
18. HOMECOMING
19. Beyond Dancing: The Choreographic Turn in the 2022 Taiwan Arts Biennial
20. Dance in the Museum
21. From Improvements to Care: gardening as choreographic dwelling
Section 5. Technology, Transmission and Immersion
Section Introduction
22. Unlocking Touch
23. Virtual Reality and Dance-Making: unbounding choreographic practice from the realm of real-time performance
24. Social Media and Choreographic Practice: Tools for collaboration, co-creation and creative practice
25. Shifts in Embodiment: Choreographic practice for Virtual Reality
Section 6. Choreographic Environments and Interventions
Section Introduction
26. Navigating Diasporic 'Third Spaces' and (New) Borderlands through Dance and Choreography
27. Dancing Places: Sites, Situations, and Taking-Place
28. Sensóriagrafia in Public Spaces: Dance and words as a relational sensory, poetic intervention
29. A Reservoir of Gestures, or Choreography is Relational
30. Unlocking Liberation: Choreographing the 'Club State'
