Full Description
Innovation in Music: Innovation Pathways brings together cutting-edge research on new innovations in the field of music production, technology, performance, and business. With contributions from a host of well-respected researchers and practitioners, this volume provides crucial coverage on the relationship between innovation and rebellion.
Including chapters on mixing desks, digital ethics, soundscapes, immersive audio, and computer-assisted music, this book is recommended reading for music industry researchers working in a range of fields, as well as professionals interested in industry innovations.
Contents
1. Record-breaking: Palimpsestuous and Other Generative 'Record Cutting' Methodology Misadventures 2. 98% Of 'You're Not Supposed To Do That' Innovation Attempts Fail: What Did The 2% Do? 3. I want to break free: Challenging the hegemony of traditional composition through improvisation, performance, collaboration and sound installation 4. Reinventing the Mixing Desk: A Comparative Review of the Channel Strip and the Stage Metaphor 5. Whose d(art)a is it anyway? Repositioning Data and Digital Ethics in Remote Music Collaboration Software 6. Listening as Contemplation: A reflexive thematic analysis of listening to modular-based compositions 7. Research the effect of Visual stimuli on auditory perception in music recording and listening 8. The Impossible Box: Building a DIY Groovebox on a $10 microcontroller 9. The soundscape cube system: A method for the construction of a coherent soundscape during recording and mixing 10. Digging in the Tapes: Multitrack Archives as an Emerging Educational Resource 11. Gatekeeping in the Audio Mastering Industry 12. Music Mastering and Loudness Practices Post LUFS 13. LCR: A valuable multichannel proposition for modern music production? 14. Rethinking Immersive Audio 15. Deliberate Practice and Unintended Consequences in Music Production as Practice and Pedagogy 16. Artistic Intuition and Algorithmic Prediction in Music Production 17. A Radiological Adventure: The Sonification of the Apocalypse 18. Computer-Assisted Music as means of Multidimensional Performance and Creation: A Post approach to Singularity Study 3
