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Full Description
Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir's key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970). Jean-Pierre Boule is Professor of Contemporary French Studies at Nottingham Trent University and the author of a number of books, notably on Sartre, including Sartre mediatique (1992) and Sartre, Self-Formation and Masculinities (2005). He is the co-founder of the U.K. Sartre Society and executive editor of Sartre Studies International.
His most recent books include Jean-Paul Sartre: Mind and Body, Word and Deed, co-edited with Benedict O'Donohoe (2011) and a companion volume to the present one, Existentialism and Contemporary Cinema: A Sartrean Perspective, co-edited with Enda McCaffrey (2011). Ursula Tidd is Senior Lecturer in French Studies at the University of Manchester. She is the author of three monographs: Simone de Beauvoir, Gender and Testimony (1999); Simone de Beauvoir, Routledge 'Critical Thinkers' series (2004) and Simone de Beauvoir Reaktion 'Critical Lives' series (2009) as well as articles and chapters on Beauvoir's autobiographies, fiction, and philosophy. She is currently writing a monograph on the Francophone Spanish Holocaust writer Jorge Semprun (forthcoming with Legenda/MHRA 2013).
Contents
Acknowledgements Introduction Jean-Pierre Boule and Ursula Tidd Chapter 1. Beauvoir's Children: Girlhood in Innocence Emma Wilson Chapter 2. 'Devenir Mere': Trajectories of the Maternal Bond in Recent Films starring Isabelle Huppert Ursula Tidd Chapter 3. Claire Denis's Chocolat and the Politics of Desire Jean-Pierre Boule Chapter 4. Revolutionary Road and The Second Sex Constance Mui and Julien Murphy Chapter 5. Simone de Beauvoir, Melodrama and the Ethics of Transcendence Linnell Secomb Chapter 6. La Petite Jerusalem: Freedom and Ambiguity in the Paris banlieues Claire Humphrey Chapter 7. 'How Am I Not Myself?' Engaging Ambiguity in David O. Russell's; Huckabees Bradley Stephens Chapter 8. Encounters with the 'Third Age': Benguigui's Inch'Allah dimanche and Beauvoir's Old Age Michelle Royer Chapter 9. Eastwood Reading Beauvoir Reading Eastwood: Ageing and Combative Self-Assertion in Gran Torino and Old Age Oliver Davis Chapter 10. Les Belles Images? Mid-Life Crisis and Old Age in Tamara Jenkins' The Savages Susan Bainbrigge Chapter 11. Feminist Phenomenology and the Films of Sally Potter Kate Ince Notes on Contributors Index
