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基本説明
This study argues against the idea that the 'postmodern condition' of late twentieth and early twenty-first century culture has undermined the close and creative association between religious practice and literature. It suggests that the novel, as a major narrative genre of contemporary western culture, has become an increasingly vital, dynamic and problematic space for engaging with the sacred.
Full Description
How does contemporary fiction engage with the claims and ideas of Christian theology? Can 'secular fictions' accommodate transcendent experiences or encounters with the divine? Does belief continue to influence the shape of fiction in any meaningful way? This study argues against the idea that the 'postmodern condition' of late twentieth and early twenty-first century culture has undermined the close and creative association between religious practice and literature. It suggests that the novel, as a major narrative genre of contemporary western culture, has become an increasingly vital, dynamic and problematic space for engaging with the sacred.Tate examines the work of more than a dozen contemporary Anglo-American novelists, including John Updike, Douglas Coupland, John Irving, Michele Roberts, Don DeLillo and Jim Crace. He shows how the 'sacred turn' in western culture is manifested within the novel from the 1980s to the present, paying particular attention to representations of such theological ideas as the miraculous, the heretical, the apocalyptic and the messianic.
Contents
Acknowledgements; 1. Introduction: Re-enchanted Fictions; 2. This Other Christ: Jesus in Contemporary Fiction; 3. John Updike's Holy Heresy: Between Grace and 'the Devil's motley'; 4. Miracles and the Mundane: Signs, Wonders and the Novel; 5. Little Wonder: John Irving's Modern Miracles; 6. 'How Clear is Your Vision of Heaven?': Douglas Coupland at the End of the World; 7. Conclusion: Miraculous Realism; Bibliography; Index.
