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Full Description
Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature.
From Proust, Merleau-Ponty developed his conception of "sensible ideas," from Claudel, his conjoining of birth and knowledge as "co-naissance," from Valéry came "implex" or the "animal of words" and the "chiasma of two destinies." Literature also provokes the questions of expression, metaphor, and truth and the meaning of a Merleau-Pontian poetics.
The poetic of Merleau-Ponty is, the book argues, a poetic of the flesh, a poetic of mystery, and a poetic of the visible in its relation to the invisible. Ultimately, theoretical figures or "figuratives" that appear at the threshold between philosophy and literature enable the possibility of a new ontology. What is at stake is the very meaning of philosophy itself and its mode of expression.
Contents
Preface ix
Abbreviations of Works by Maurice Merleau-Ponty and Other Writers xi
Introduction
Galen A. Johnson 1
Part I: Merleau-Ponty's Poets
1 "The Proustian Corporeity" and "The True Hawthorns":
Merleau-Ponty as a Reader of Proust between Husserl and Benjamin
Mauro Carbone 17
2 A Poetics of Co-Naissance:
Via André Breton, Paul Claudel, and Claude Simon
Emmanuel de Saint Aubert 31
3 From the World of Silence to Poetic Language:
Merleau-Ponty and Valéry
Galen A. Johnson 68
Part II: Merleau-Ponty's Poetics
4 The Clouded Surface: Literature and Philosophy
as Visual Apparatuses According to Merleau-Ponty
Mauro Carbone 101
5 Metaphoricity: Carnal Infrastructures and Ontological Horizons
Emmanuel de Saint Aubert 121
6 On the Poetic and the True
Galen A. Johnson 159
Acknowledgments 191
Notes 193
Index 241
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