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Full Description
In certain key respects, 1943 marked a turning point in the war. Increasingly, victory seemed assured. However, the backdrop to this gradually improving situation was one of widespread and unremitting destruction.
In the essays from that year, Blanchot writes from a position of almost total detachment from day-to-day events, now that all of his projects and involvements have come to naught. As he explores and promotes works of literature and ideas, he privileges those with the capacity to sustain a human perspective that does not merely contemplate ruin and disaster but sees them as the occasion for a radical revision of what "human" is capable of signifying.
Consigning all that the name "France" has hitherto meant to him to a past that is now in ruins, Blanchot begins to sketch out a counter-history that is international in nature, and whose human field is literature.
Contents
Introduction by Michael Holland Nicholas of Cusa The Correspondence of Madame de Lafayette The Book Novels of the Land Tocqueville's Recollections Symbolism and the Poets of Today On Montherlant's Play The Romance of Marie Dorval and Vigny Novels Machiavelli Eloquence and Literature On Jouhandeau's Work The Thirteen Forms of a Novel From Praise to Sovereignty Religious Poetry Novels French Suite Hoffman's Fantastic On the Song of Roland Kierkegaard and AEsthetics The Art of the Short Story Women Novelists of Today A History of French Literature The Influence of the American Novel The Mysticism of Angelus Silesius Autobiographical Narratives History and the Masterpiece A Study of the Apocalypse La Fontaine Without the Fables The Pure Novel The Novel of the Gaze Tradition and Surrealism A World in Ruins Index
