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Full Description
Focusing on contemporary, international spectatorship, new work, and new media, this issue asks who is watching, how, and why. The essays cover concepts of audience in urban performance in Colombia, in Germany's halls of parliament, on subways, and on chatroulette.com; urban "folk art" and flash mobs in New York; and traditional auditoriums where ghostly images conjure absent performers.
Contents
1. Audience and Its Discontents-Tom Sellar; 2. Tracking Changes-Tanya Dean; 3. Chance Encounters-Ryan M. Davis; 4. Spectators to a Life-Andrea Tompa; 5. Flash Mobs and the Diffusion of Audience-John H. Muse; 6. Urban Folk Art: Performance, Politics, and the Right to the City-David Freedlander; 7. Watching the Watchers: New Studies of Spectators and pectatorship-Miriam Felton-Dansky; 8. Moving and Speaking through the Event, Once More: Participation and Reenactment in Jeremy Deller's The Battle of Orgreave, and Rimini Protokoll's Deutschland 2-Bettina Brandl-Risi; 9. ADS: Artist's Preface-Richard Maxwell; 10. ADS-New York City Players; 11. Colombia's National Audiences-Adam S. Horowitz Books 12. Lost in Translation, or "Rather than bury Zadek, I come to praise him!" Theatre Is More Beautiful than War: German Stage Directing in the Twentieth Century by Marvin Carlson, 2009: University of Iowa Press-Gitta Honegger



