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Full Description
In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash's innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography that focuses on black women's pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions-between delight and discomfort, between desire and degradation-at the heart of black pleasures.
Contents
Acknowledgments vii
Introduction. Reading Race, Reading Pornography 1
1. Archives of Pain: Reading the Black Feminist Theoretical Archive 27
2. Speaking Sex / Speaking Race: Lialeh and the Blax-porn-tation Aesthetic 59
3. Race-Pleasures: Sexworld and the Ecstatic Black Female Body 83
4. Laughing Matters: Race-Humor on the Pornographic Screen 107
5. On Refusal: Racial Promises and the Silver Age Screen 128
Conclusion. Reading Ecstasy 146
Notes 153
Bibliography 181
Index 213
