Painting the City Red : Chinese Cinema and the Urban Contract (Asia-pacific: Culture, Politics, and Society)

個数:
  • ポイントキャンペーン

Painting the City Red : Chinese Cinema and the Urban Contract (Asia-pacific: Culture, Politics, and Society)

  • ウェブストア価格 ¥28,176(本体¥25,615)
  • Duke University Press(2010/04発売)
  • 外貨定価 US$ 129.95
  • 【ウェブストア限定】洋書・洋古書ポイント5倍対象商品(~2/28)
  • ポイント 1,280pt
  • 在庫がございません。海外の書籍取次会社を通じて出版社等からお取り寄せいたします。
    通常6~9週間ほどで発送の見込みですが、商品によってはさらに時間がかかることもございます。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合がございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 424 p.
  • 言語 ENG
  • 商品コード 9780822347064
  • DDC分類 791.430951

Full Description

Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People's Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China's abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage. Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans' villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing. In Painting the City Red, Braester reveals the role that film and theater have played in mediating state power, cultural norms, and the struggle for civil society in Chinese cities.

Contents

List of Illustrations ix
Acknowledgments xi
Introduction: Film and the Urban Contract 1
1. New China, New Beijing: Staging the Socialist City of the Future 27
2. A Big Dyeing Vat: The Rise of Proletarian Shanghai and the Fall of Nanjing Road 56
3. Mansions of Uneven Rhyme: Beijing Courtyards and the Instant City 95
4. The First Precinct Under Heaven: State Symbolism and Unplanned Urbanism at Tiananmen Square 151
5. Angel Sanctuaries: Taipei's Gentrification and the Erasure of Veterans' Villages 187
6. "This is the Story of Our Street": Urban Preservation and the Post-Maoist Politics of Memory 224
7. The Day Trip of Your Dreams: Globalizing Beijing and the Postspatial City 281
Notes 311
Filmography 341
Stage Plays 351
Bibliography 353
Index 383

最近チェックした商品