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Full Description
Provides an important examination of Charles Chesnutt as a practitioner of realism
Although Chesnutt is typically acknowledged as the most prominent African American writer of the realist period, scholars have paid little attention to the central question of this study: what does it mean to call Chesnutt a realist? As a writer whose career was restricted by the dismal racial politics of his era, Chesnutt refused to conform to literary conventions for depicting race. Nor did he use his imaginative skills to evade the realities he and other African Americans faced. Rather, he experimented with ways of portraying reality that could elicit an appropriate, proportionate response to it, as Ryan Simmons demonstrates in extended readings of each of Chesnutt's novels, including important unpublished works overlooked by previous critics.
In addition, Chesnutt and Realism addresses a curiously neglected subject in American literary studies—the relationship between American literary realism and race. By taking Chesnutt seriously as a contributor to realism, this book articulates the strategies by which one African American intellectual helped to de?ne the discourses that in?uenced his fate.
Contents
Acknowledgments
Introduction: Of Race and Realism
1. Learning to Be a Realist: Chesnutt's Northern Novels
2. Time Passing: Chesnutt's Revisions of the "Tragic Mulatta" Tale
3. Simple and Complex Discourse in The Marrow of Tradition
4. The Colonel's Dream: Reconsidering a Radical Text
5. "The Category of Surreptitious Things": Paul Marchand, F.M.C. and The Quarry
Notes
Works Cited
Index
