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Full Description
In the 1830s and '40s, a new preoccupation with the housing of the poor emerged in British print and visual culture. In response to cholera outbreaks, political unrest, and government initiatives, commentators evinced a keen desire to document housing conditions and agitate for housing reform. Consistently and strikingly, these efforts focused on opening the domestic interiors of the poor to public view. In Open Houses, Barbara Leckie addresses the massive body of print materials dedicated to convincing the reader of the wretchedness, unworthiness, and antipoetic quality of the living conditions of the poor and, accordingly, the urgent need for architectural reform. Putting these exposÉs into dialogue with the Victorian novel and the architectural idea (the manipulation of architecture and the built environment to produce certain effects), she illustrates the ways in which "looking into" the house animated new models for social critique and fictional form.
As housing conditions failed to improve despite the ubiquity of these documentary and fictional exposÉs, commentators became increasingly skeptical about the capacity of print to generate change. Focusing on Bleak House, Middlemarch, and The Princess Casamassima, Leckie argues that writers offered a persuasive counterargument for the novel's intervention in social debates. Open Houses returns the architectural idea to the central position it occupied in nineteenth-century England and reconfigures how we understand innovations in the genre of the novel, the agitation for social reform, and the contours of nineteenth-century modernity.
Contents
Introduction. "Let Us Look Into the House" 1
Chapter 1. A Simple Idea of Architecture
Chapter 2. The Dark Side of the Interior
Chapter 3. "The Ruined House": Charles Dickens's Bleak House
Chapter 4. The Mediating Imagination: George Eliot's Middlemarch
Chapter 5. The Interpenetrating Imagination: Henry James's The Princess Casamassima
Conclusion. The Epistemology of the House
Notes
Bibliography
Index
