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基本説明
This is a concrete examination of the logic governing the work of a major American artist that is, at the same time, a general philosophical examination of the logic of meaning governing all the major filmic categories and is thus a comprehensive theory of film.
Full Description
How is one to think the significance of the art of film for philosophy? What would it mean to introduce film as a question into the heart of the philosophical enterprise? How would this transform our understanding of film, on the one hand, and of philosophy and the philosophical tradition, on the other? These are the questions that guide this project on the hitherto critically neglected but seminal film director Brian De Palma. Becoming Visionary: Brian De Palma's Cinematic Education of the Senses is located at the intersection of philosophy and film studies, and makes each of these disciplines productive and useful for each other in a new way. It is a concrete examination of the logic governing the work of a major American artist that is, at the same time, a general philosophical examination of the logic of meaning governing all the major filmic categories and is thus a comprehensive theory of film. Becoming Visionary develops a new matrix for thinking the relations between philosophy and film and, by extension, between philosophy and the arts
Contents
@fmct:Contents @toc4:FOREWORD: On Eyal Peretz's Becoming Visionary BY STANLEY CAVELL 000 @toc2:INTRODUCTION: THE REALM OF THE SENSES AND THE VISION OF THE BEYOND--TOWARD A NEW THINKING OF THE IMAGE 000 CHAPTER ONE: CARRIE--FILM AND THE WOUNDING OF REPRESENTATION 000 CHAPTER TWO: BETWEEN PARANOIA AND PASSION--QUESTIONING THE FRAME AND THE SCREEN IN THE FURY 000 CHAPTER THREE: FILM AND THE MEMORY OF THE OUTSIDE: OR, CINEMA AS TECHNOLOGY, CINEMA AS PORNOGRAPHY, CINEMA AS SCREAM--BLOW OUT 000 CODA: FOR A NEW ENLIGHTENMENT: FEMME FATALE, A PARADOXICAL HAPPY ENDING; OR, THE IDEA OF A FUTURE 000 @toc4:Notes 000 Index 000



