That's All Folks? : Ecocritical Readings of American Animated Features

個数:

That's All Folks? : Ecocritical Readings of American Animated Features

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合は、ご注文数量が揃ってからまとめて発送いたします。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 296 p.
  • 言語 ENG
  • 商品コード 9780803235120
  • DDC分類 791.4334

Full Description

Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear.
Countering the view that the contemporary environmental movement—and the cartoons it influenced—came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels—particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market.
Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema.

Contents

List of Illustrations 
Acknowledgments 
Introduction: A Foundation for Contemporary Enviro-toons 
1. Bambi and Mr. Bug Goes to Town: Nature with or without Us 
2. Animal Liberation in the 1940s and 1950s: What Disney Does for the Animal Rights Movement 
3. The upa and the Environment: A Modernist Look at Urban Nature 
4. Animation and Live Action: A Demonstration of Interdependence? 
5. Rankin/Bass Studios, Nature, and the Supernatural: Where Technology Serves and Destroys 
6. Disney in the 1960s and 1970s: Blurring Boundaries between Human and Nonhuman Nature 
7. Dinosaurs Return: Evolution Outplays Disney's Binaries 
8. DreamWorks and Human and Nonhuman Ecology: Escape or Interdependence in Over the Hedge and Bee Movie 
9. Pixar and the Case of wall-e: Moving between Environmental Adaptation and Sentimental Nostalgia 
10. The Simpsons Movie, Happy Feet, and Avatar: The Continuing Influence of Human, Organismic, Economic, and Chaotic Approaches to Ecology 
Conclusion: Animation's Movement to Green? 
Filmography 
Works Cited 
Index 

最近チェックした商品