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Full Description
The millennials, who constitute the largest generation in America's history, may resist a simple definition; nevertheless, they do share a number of common traits and also an ever increasing presence on film and television. This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history. Drawing on a multiplicity of theoretical frameworks, the essays show how these cultural products work at a number of levels, and through a variety of means, to shape our understanding of the millennials.
Contents
Table of Contents
Introduction: The Twenty-First Century Generation and the ABC Family Brand (Betty Kaklamanidou and Margaret Tally)
Secrets and Lies: Gender and Generation in the ABC Family Brand (Caryn Murphy)
Lavender Identity and Representation in the Media: The Portrayal of Gays and Lesbians in Popular Television (Sean Robinson and Bernice Alston)
Exploring Discourses of Engagement in 2 Broke Girls (Alison N. Novak)
The Mindy Project: South Asians and Television Multiculturalism (Janani Subramanian)
The Big Bang Theory: Nerds and Kidults (Janice Shaw)
The Emotional Power of Technology, Community and Morality in The Vampire Diaries (Margo Collins)
Generational Conflict, Twenty-First-Century Horror Films and The Cabin in the Woods (Karen J. Renner)
The Scream of a Generation: "Generation Me" in Scream 4 (Sotiris Petridis)
"Comedy Natives": Generations, Humor and the Question of Why Smart + Funny Is the New Rock and Roll (Margaret Tally)
The Romantico-Sexual Narrative and Intertextuality in Friends with Benefits and No Strings Attached (Betty Kaklamanidou)
Labor Narratives and The Devil Wears Prada (Christoph Büettner)
Works Cited
About the Contributors
Index
