Meyerhold, Eisenstein and Biomechanics : Actor Training in Revolutionary Russia

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Meyerhold, Eisenstein and Biomechanics : Actor Training in Revolutionary Russia

Law, Alma

ウェブストア価格 ¥5,720（本体¥5,200）
McFarland & Co Inc（2012/02発売）
外貨定価 US$ 25.00
ポイント 52pt

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製本 Paperback:紙装版/ペーパーバック版／ページ数 294 p.
言語 ENG
商品コード 9780786467501

Full Description

Russian theater director Vsevolod Meyerhold designed Biomechanics--a system of actor training--shortly after the Russian Revolution. Although not always understood, it received wide attention as a result of Meyerhold's unique position as the foremost Soviet avant-garde director. Meyerhold had students that both perfected and challenged his theories in actor training--including the film director Sergei Eisenstein.

Gathered from private Moscow archives, this is the first book-length study of Meyerhold's stylized training method in practical detail, as well as Eisenstein's theoretical analysis of Biomechanics. The book traces the history and theoretical foundations of Biomechanics and Expressive Movement, with descriptions of the basic biomechanical exercises and etudes. It also includes a glossary of biomechanical terminology and bibliographical information.

Table of Contents

Acknowledgments

Introduction

Part I. Meyerhold and Eisenstein

1. Meyerhold: From Actor to Revolutionary Director

2. Meyerhold: From Biomechanics to the Triumph of Socialist Realism

3. Eisenstein: From Engineer to Revolutionary Filmmaker

Part II. Biomechanics

4. Introduction

5. Biomechanical Exercises

6. Description of the Exercises

7. Program of Studies

Part III. Documents

8. Meyerhold on Biomechanics

Biomechanics of Vsevolod Meyerhold by M. Korenev

The Biomechanical Laboratory by M. Korenev

Principles of Biomechanics by M. Korenev

Meyerhold Demonstrates a Biomechanical Exercise by Erast Garin

The Actor of the Future and Biomechanicr by V.-Es.

Biomechanics According to Meyerhold by Ippolit Sokolov

Taylorism on the Stage by Arkady Pozdnev

Project: Profile of the Actor Graduating from the Meyerhold State Theatre School

Promptbook for "The Magnanimous Cuckhold"

9. Eisenstein on Biomechanics and Expressive Movement

Notes on Biomechanics by Sergei Eisenstein

Principles of Movement in Our Theatre by Sergei Eisenstein

What Is a "Raccourci" and What Is a Pose? by Sergei Eisenstein

At Rehearsals of "The Wiseman" by Aleksandr Levshin

Expressive Movement by Sergei Eisenstein and Sergei Tretyakov

On Recoil Movement by Sergei Eisenstein

Lecture on Biomechanics, March 29, 1935, by Sergei Eisenstein

10. International Accounts of Biomechanics

An Interview with Meyerhold at the Theatre of the Revolution by Lancelot Lawton

How Meyerhold Trains his Actors by John Martin

Biomechanics in Meyerhold's Theatre by André Van Gyseghem

Notes on Biomechanics by Lee Strasberg

Notes on Eisenstein's Lectures, 1934, by Marie Seton

A Biomechanical Session by Harold Clurman

Part IV. Appendices

Glossary of Biomechanical Terminology

Notes

Selected Bibliography

Index