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Full Description
This work focuses on the baseball movie genre in the years following World War II, beginning with the 1948 biopic The Babe Ruth Story and ending with the 1962 Mickey Mantle-Roger Maris vehicle Safe at Home!, when the consensus was that conflict should be limited in American society by emphasizing economic growth and a strong stand against Communism.
This study of selected films indicates, however, that this strategy was not entirely effective; while offering a certain amount of nostalgia, these films could not provide shelter from the storm gathering in postwar America which challenged conventional ideas of race, gender and class and broke in the 1960s.
Contents
Table of Contents
Preface
Introduction: The Post-World War II Consensus and the Baseball Film Genre
1. The Babe Ruth Story (1948) and the Myth of American Innocence
2. Taming Rosie the Riveter: Take Me Out to the Ball Game (1949)
3. Getting a Leg Up in Postwar America: The Stratton Story (1949)
4. The American Dream in Service of the Cold War and Civil Rights Movement: The Jackie Robinson Story (1950)
5. Hollywood and Assimilating the American Indian Through Sport: Jim Thorpe: All-American (1951)
6. The Retreat to Nostalgia: Grover Cleveland Alexander, Ronald Reagan, and The Winning Team (1952)
7. Education Ain't No Stumbling Block to Mobility: Dizzy Dean and The Pride of St. Louis (1952)
8. Baseball and Supernatural Intervention: It Happens Every Spring (1949), Angels in the Outfield (1951), and Rhubarb (1951)
9. Baseball Enlists in the Cold War: Strategic Air Command (1955)
10. Jimmy Piersall and Freedom from Want: Fear Strikes Out (1957)
11. The Devil Made Me Do It: Damn Yankees (1958)
12. Back to the Future: Safe at Home! (1962) Within the American Consensus
Chapter Notes
Bibliography
Index
