近代初期ローマにおける芸術とアイデンティティ<br>Art and Identity in Early Modern Rome

個数:

近代初期ローマにおける芸術とアイデンティティ
Art and Identity in Early Modern Rome

  • 提携先の海外書籍取次会社に在庫がございます。通常3週間で発送いたします。
    重要ご説明事項
    1. 納期遅延や、ご入手不能となる場合が若干ございます。
    2. 複数冊ご注文の場合、分割発送となる場合がございます。
    3. 美品のご指定は承りかねます。

    ●3Dセキュア導入とクレジットカードによるお支払いについて
  • 【入荷遅延について】
    世界情勢の影響により、海外からお取り寄せとなる洋書・洋古書の入荷が、表示している標準的な納期よりも遅延する場合がございます。
    おそれいりますが、あらかじめご了承くださいますようお願い申し上げます。
  • ◆画像の表紙や帯等は実物とは異なる場合があります。
  • ◆ウェブストアでの洋書販売価格は、弊社店舗等での販売価格とは異なります。
    また、洋書販売価格は、ご注文確定時点での日本円価格となります。
    ご注文確定後に、同じ洋書の販売価格が変動しても、それは反映されません。
  • 製本 Hardcover:ハードカバー版/ページ数 308 p./サイズ 35 b/w illus.
  • 言語 ENG
  • 商品コード 9780754656906
  • DDC分類 709.450903

基本説明

Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period. This book puts forward an alternative history of the visual arts in early modern Rome, one that questions traditional periodisation and stylistic categorisation.

Full Description

From the late fifteenth to the late seventeenth century, Rome was one of the most vibrant and productive centres for the visual arts in the West. Artists from all over Europe came to the city to see its classical remains and its celebrated contemporary art works, as well as for the opportunity to work for its many wealthy patrons. They contributed to the eclecticism of the Roman artistic scene, and to the diffusion of 'Roman' artistic styles in Europe and beyond. Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period. Drawing together an international cast of key scholars in the field of Renaissance studies, the book adroitly demonstrates how the exceptional quality of Roman court and urban culture - with its elected 'monarchy', its large foreign population, and unique sense of civic identity - interacted with developments in the visual arts. With its distinctive chronological span and uniquely interdisciplinary approach, Art and Identity in Early Modern Rome puts forward an alternative history of the visual arts in early modern Rome, one that questions traditional periodisation and stylistic categorisation.

Contents

Contents: Introduction, Jill Burke and Michael Bury; Part 1 Finding Patronage in Early Modern Rome: Roma patria comune? Foreigners in early modern Rome, Irene Fosi; The bishop and the artist: the quest for patronage in high Renaissance Rome, Piers Baker Bates; Between Rome and Ferrara: the courtiers of the Este cardinals in the cinquecento, Guido Guerzoni. Part 2 Cardinals and their Worldly Goods: A cardinal in Rome: Ippoloto d'Este in 1560, Mary Hollingsworth; Patronage rivalries: cardinals Oduardo Farnese and Pietro Aldobrandini, Clare Robertson; Protector and protectorate: cardinal Antonio Barberini's art diplomacy for the French crown at the Papal court, Karin Wolfe. Part 3 Family Identity and the Papacy: Old nobility versus new: Colonna art patronage during the Barberini and Pamphilj pontificates (1623-1655), Christina Strunck; A taste for landscape: Innocent X and Palazzo Pamphilj in Piazza Navona, Susan Russell; Cardinal Camillo Massimo as art agent of the Altieri, Lisa Beaven. Part 4 The Papacy: Individual and Institution: 'Ruined, untended and derelict': 15th-century papal tombs in St Peter's, Carol M. Richardson; Prince and pontiff: secular and spiritual authority in Papal State portraiture between Raphael's Julius II and the portraits if Pius V and Clement VIII, Opher Mansour; Family and institutional identity: galleries of Barberini projects, Maarten Delbeke; Bibliography; Index.

最近チェックした商品