後味の悪い映画 The Feel-Bad Film (Edinburgh Studies in Film and Intermediality)

後味の悪い映画<br>The Feel-Bad Film (Edinburgh Studies in Film and Intermediality)

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後味の悪い映画
The Feel-Bad Film (Edinburgh Studies in Film and Intermediality)

Lübecker, Nikolaj

ウェブストア価格 ¥27,089（本体¥24,627）
Edinburgh University Press（2015/05発売）
外貨定価 US$ 130.00
ポイント 246pt

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製本 Hardcover:ハードカバー版／ページ数 200 p.
言語 ENG
商品コード 9780748697977
DDC分類 791.436

Full Description

In recent years some of the best-known European and American art film directors have made films that place the spectator in a position of intense discomfort: Feel-Bad Films. These films systematically manipulate the spectator: sometimes by withholding information from her, sometimes by shocking her, and sometimes by seducing her in order to further disturb her. As a result, they have been criticized for being amoral, nihilistic, politically irresponsible and anti-humanistic.
The Feel-Bad Film raises three questions to this body of work: How is the feel-bad experience created? What do the directors believe they can achieve in this manner? And how should the films be situated in intellectual history? Through close analysis of films by Lars von Trier, Gus Van Sant, Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Brian de Palma, Bruno Dumont and Harmony Korine, the book argues that feel-bad directors invite the spectator to think of art as an experimental activity with ethical norms that are different from the ones we hope to find outside the movie theatre. Only when given the freedom to take advantage of this asymmetry can film realize its ethical potential.

List of illustrationsAcknowledgementsIntroduction

Part 1: Assault1.1 The Inner Bastard: von Trier's Dogville1.2 Ethics via the Body: Funny Games, Daisy Diamond and Jacques Rancière1.3 Going too far? de Palma's Redacted

Part 2: Unease2.1 Buying a bunch of radishes: Van Sant's Elephant2.2 An Ethics of Suspension: I Can't Sleep, Hidden and Judith Butler2.3 Embracing Childhood: Hadzihalilovic' Innocence and Brakhage's Kindering; Coda: Östlund's Play, Between Assault and Unease

Part 3: Transgression, TransgressionIntroduction: Third Generation Avant-Garde?3.1 The Avant-Garde as Tragedy: Dumont's Twentynine Palms3.2 Desperation Films: Code Blue, In My Skin and The Bastards3.3 The Avant-Garde as Farce: Korine's Trash Humpers

ConclusionBibliographyFilmographyIndex